Le Tombeau de Couperin: Post-Apocalyptic Ravel

Listening to Maurice Ravel’s Le Tombeau de Couperin, it’s easy to get a sense of altered reality. Outwardly, the original six movement suite, written for solo piano, responds to the horrors and devastation of the First World War, a conflict Ravel experienced first hand as a military ambulance driver. Ravel dedicated each movement of the work, written between 1914 and 1917, to the memory of a friend lost on the battlefield. But, interestingly, …

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Cellist Zuill Bailey in Williamsburg

It’s always a thrill to perform with top-level guest soloists. They feed the collective soul of the orchestra and often elevate concerts into highly memorable events. American cellist Zuill Bailey brought that kind of electricity to the final concerts of the Williamsburg (Virginia) Symphonia season Monday and Tuesday evening. Bailey performed Robert Schumann’s restless and sometimes thorny Cello Concerto with soulfulness and ease. During rehearsals and performances, I was impressed with the singing tone …

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Yo-Yo Ma, Citizen Artist

Last week’s On Being interview with Yo-Yo Ma was a great reminder that Ma is more than one of the world’s great cellists. He’s a “citizen artist”, a philosopher, and an insightful commentator on the role of music in contemporary life. These days, Yo-Yo Ma enjoys transcending imagined boundaries and playing a wide variety of music, most notably through his Silk Road Project. He considers the label “classical music” an arbitrary commercial category. He likens performing …

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