Rachmaninov and the "Philadelphia Sound"

Above: Rachmaninov and conductor Eugene Ormandy during a rehearsal at the Academy of Music in 1938. (from the Philadelphia Orchestra’s website). Great orchestras develop an institutional collective memory. As conductors and players come and go, they often leave a subtle mark on the sound, style, and soul of the ensemble. New players are assimilated into a dynamic, ever-evolving team. The esteemed history of the Philadelphia Orchestra is a case in point. For years the …

Read moreRachmaninov and the "Philadelphia Sound"

The Eighteenth Variation

Last week we heard a sample of music inspired by Niccolò Paganini’s solo violin Caprice No. 24, which included Rachmaninov’s Rhapsody on a Theme of Paganini, Op. 43. Let’s return to the Rachmaninov and “drop the needle” at one of its most memorable moments, the Eighteenth Variation. This stunningly beautiful melody seems far removed from Paganini’s original bouncy theme in A minor, but it actually develops from the motivic seed of Paganini’s first five notes (the top …

Read moreThe Eighteenth Variation

Paganini’s Catchy Tune

It’s a simple and catchy melody…so memorable and ripe for development that, for over 200 years, composers haven’t been able to stop using it as the inspiration for an unending stream of variations. Set in A minor, the theme of Niccolò Paganini’s Caprice No. 24 bounces between tonic and dominant (scale degrees I and V), before entering a downward sequence which brings the melody home. A series of variations follow, which almost push the …

Read morePaganini’s Catchy Tune

Send this to a friend