Choral

Arnold Bax’ “I Sing of a Maiden that is Makeless”: The Choir of Westminster Abbey

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Anonymously penned, the 15th century poem, I syng of a mayden, is a mystical meditation on the Annunciation and Nativity of Christ. Elements of Elizabethan polyphony blend with dreamy chromaticism in English composer Arnold Bax’ 1923 five-part a cappella setting of the text. As the five verses unfold, the majestic melody gives way to variation, only to return in the triumphant final moments. This 2017 recording features The Choir of Westminster Abbey, …

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Vivaldi’s “Gloria”: A Celebratory Drama

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Antonio Vivaldi was 24 years old when, in September of 1703, he was first employed as maestro di violino at Venice’s Ospedale della Pietà. Located near the Piazza San Marco, the Ospedale della Pietà was a generously endowed orphanage for girls, the most talented of whom received an exceptional music education. Describing the calibre of the performances, French scholar Charles de Brosses wrote in 1739, “The girls sing like angels, and play …

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John Adams’ “El Niño”: Five Excerpts from the Nativity Oratorio

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Composed in 1999, John Adams’ nativity oratorio, El Niño (“the child”), is a meditation on the nature of miracles. Based on the New Testament gospels, which Adams celebrates as “little more than long sequences of miracles,” the narrative structure is similar to that of Handel’s Messiah. Adams writes, Narrative passages alternate with arias and choruses that meditate or reflect on the principal themes. Among those could be mentioned the mystery of the Conception and …

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Eric Whitacre’s “I Thank You God For Most This Amazing Day”: A Joyous Setting of E. E. Cummings

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“i thank You God for most this amazing day is such a beautiful and joyous poem that the music was at times almost effortless,” writes American composer Eric Whitacre (b. 1970). The shimmering a cappella choral setting of e.e. cummings’ poetic prayer concludes Whitacre’s Three Songs of Faith, composed in 1999. In this work, the vibrant sound of the human voice becomes an expression of ecstasy. Celestial aspiring lines and bright, sensuous …

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Barber’s “To Be Sung on the Water”: Conspirare

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Themes of loneliness, isolation, and loss emerge in the late works of Samuel Barber. One of the most poignant examples can be heard in To Be Sung on the Water, Op. 42, an a cappella setting of a poem by Louise Bogan (1897-1970). Composed in December of 1968, the music unfolds over an ostinato which suggests the gentle, hypnotic motion of a rowboat through the night. We become aware of the persistent flow …

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Bruckner’s “Locus iste”: A Motet for a Sacred Space

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The symphonies of Anton Bruckner have been compared with the architecture of a great cathedral. Unfolding in an ABA da capo form, the brief motet, Locus iste (“This Place”), exhibits a similar sense of structure and divine mystery. Commentator Peter Strasser has observed that the work’s motifs function as architectural building blocks. The latin text, derived from the biblical stories of Jacob’s Ladder in Genesis and the burning bush in Exodus, is used to …

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Hindemith’s Six Chansons: An Ode to Nature, Harmony, and Community

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Composed in 1939, Paul Hindemith’s Six Chansons for a cappella choir are an ode to nature, harmony, and community. Set to French-language poems by the Austrian writer, Rainer Maria Rilke (1875-1926), they offer a dreamy remembrance of the music of the Renaissance and the French chanson. Brief, simple, and serene, this is music of escape. Having fled the Nazis, Hindemith was living amid the Alpine splendor of Valais, Switzerland. Months later, he …

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