Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

Poulenc’s Flute Sonata: Clara Andrada de la Calle in Concert

June 4, 2020June 5, 2020 by Timothy Judd

Francis Poulenc wrote his Sonate pour flûte et piano in 1957 in response to a commission from the Elizabeth Sprague Coolidge Foundation at the U.S. Library of Congress. The work is dedicated to the memory of Coolidge, one of the twentieth century’s greatest champions of chamber music. A sense of restless melancholy pervades the first movement (Allegretto malincolico) of Poulenc’s Sonata. It opens with an expansive melody filled with delightfully unexpected twists …

Bach’s Concerto for Two Violins, The Netherlands Bach Society

June 2, 2020June 3, 2020 by Timothy Judd

In 1711, a collection of violin concertos by Antonio Vivaldi was published in Amsterdam under the title, L’estro armonico (“The Harmonic Inspiration”). It was a prime example of the Baroque concerto grosso form, in which a solo instrument, or small group of instruments, engage in continuous dialogue with a larger ensemble. The British musicologist Michael Talbot has called L’estro armonico “perhaps the most influential collection of instrumental music to appear during the whole of the …

“Clocks and Clouds”: György Ligeti’s Sonic Dreamscape

May 31, 2020June 1, 2020 by Timothy Judd

In his 1966 essay, On Clocks and Clouds, the Austrian-born philosopher Karl Popper considers a world poised between two opposing processes. “Clocks” are neatly ordered systems that can be measured and solved through reduction. “Clouds” are “highly irregular, disorderly, and more or less unpredictable.” The essay’s title took on poetic significance for the Hungarian-Austrian composer, György Ligeti (1923-2006), inspiring the 1973 tone poem, Clocks and Clouds. Ligeti wrote, I liked Popper’s title and it awakened …

Three Purcell Snapshots: Tafelmusik

May 28, 2020May 29, 2020 by Timothy Judd

Henry Purcell (1659-1695) only lived to age 36, but he has long been regarded as one of England’s greatest composers. From age 20 until the end of his life, he served as the organist of Westminster Abbey, a position which afforded celebrity status at the time. He was also appointed chief harpsichordist for the court of King James II. His music, which includes the famous 1689 opera, Dido and Aeneas, continues to influence a wide …

Dvořák’s Eighth Symphony: A Sunny Bohemian Adventure

May 27, 2020May 27, 2020 by Timothy Judd

Antonín Dvořák’s Symphony No. 8 in G major inhabits a sunny, pastoral world filled with Bohemian folk melodies, rustic peasant dances, distant horn calls, and echoes of the birdsongs of the forest. It’s an enchanting world of exuberant celebration and quiet, lamenting nostalgia. Following the restless and stormy Seventh Symphony, Dvořák remarked that the Eighth, completed in the autumn of 1889, was “different from the other symphonies, with individual thoughts worked out …

“Dirge for Two Veterans” from Kurt Weill’s “Four Walt Whitman Songs”

May 24, 2020May 25, 2020 by Timothy Judd

At the end of June in 1913, 53,407 veterans of the Battle of Gettysburg from both sides of the American Civil War returned to the hallowed ground in south central Pennsylvania where they fought. They were there to observe the 50th anniversary of the war’s bloodiest battle. The peaceful reunion was marked by an extraordinary sense of Union–Confederate camaraderie, as the photograph above illustrates. Similarly, the journalist John Nichols observes that Walt Whitman’s 1867 …

Vaughan Williams’ “In the Fen Country”: A Symphonic Impression

May 22, 2020May 22, 2020 by Timothy Judd

The Fens are a bleak, desolate, and relentlessly flat marshland found in East Anglia on the east coast of England. They resemble a slice of the Netherlands, transported from the other side of the North Sea. Their austere mystery inspired Graham Swift in his 1983 novel, Waterland, to ask, “what are the Fens, which so imitate in their levelness the natural disposition of water, but a landscape which, of all landscapes, most approximates …