Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

“The Fairy’s Kiss”: Stravinsky’s Musical Homage to Tchaikovsky

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In 1893, while attending a performance at St. Petersburg’s Mariinsky Theatre, the 11-year-old Igor Stravinsky caught a fleeting glimpse of Tchaikovsky. The occasion was the 50th anniversary production of Glinka’s opera, Ruslan and Ludmila, in which Stravinsky’s father, Fyodor, an acclaimed bass, was singing. Tchaikovsky would die two weeks later. Stravinsky recalled, I looked and saw a man with white hair, large shoulders, a corpulent back, and this image has remained in the retina of …

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Classic Recording: Tchaikovsky’s Piano Trio in A Minor, The Eastman Trio

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Why have you not written a single trio? I regret this every day because every day they play me a trio, and I always sigh because you have not composed a single one. This rueful complaint was addressed to Tchaikovsky in a letter written in the autumn of 1880 by Nadezhda von Meck, the Russian business woman who was one of his most dedicated and long-lasting patrons. (She also gave financial support …

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Remembering Barry Tuckwell

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Barry Tuckwell, the renowned Australian horn player, passed away last week. He was 88. Born into a musical family, Tuckwell began playing the horn at age 13. By 15 he was playing professionally as third horn of the Melbourne Symphony Orchestra. A year later, he joined the Sydney Symphony Orchestra under Eugene Goossens. He soon moved on to perform in Britain’s Hallé Orchestra under Sir John Barbirolli. At age 24, he was principal …

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Duke Ellington’s “Three Black Kings”: A Symphonic Eulogy

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Three Black Kings (Les Trois Rois Noirs) was Duke Ellington’s last composition. The orchestral triptych was left unfinished at the time of Ellington’s death in 1974. True to the spontaneous spirit of jazz and guided by superstition, the American composer, pianist, and band leader frequently left pieces incomplete until the day of the first performance. Ellington’s son, Mercer, pulled the pieces together, and Luther Henderson arranged and orchestrated the score. Alvin Ailey choreographed …

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Mozart and the Glass Armonica

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Benjamin Franklin, the American statesman, diplomat, politician, writer, printer, political philosopher, scientist, inventor, and all-around Enlightenment Renaissance man, was born on this date in 1706. Among Franklin’s inventions is the glass armonica (now better known as the glass harmonica). While visiting Cambridge, England in 1761, he was fascinated with the “celestial” tones Edmund Delaval produced by rubbing a wet finger around the rim of wine glasses filled with varying quantities of water. …

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Three Great Songs from Rush’s “Moving Pictures” Album

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Neil Peart, the legendary drummer and lyricist of the Canadian rock trio, Rush, passed away last week after a battle with cancer. He was 67. Rolling Stone rated Peart among the top five greatest rock drummers of all time. His playing exhibited a powerful virtuosity which frequently drew upon complex, shifting meters. Variety‘s recent tribute notes that “Peart was famous for his state-of-the-art drum kits—more than 40 different drums were not out of the …

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Five Excerpts from Barber’s “Vanessa”

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Samuel Barber’s Vanessa premiered at the Metropolitan Opera on this date in 1958. Originally set in four acts, the opera’s dark story and libretto were created by Gian Carlo Menotti. Its atmosphere may have been inspired by Seven Gothic Tales, a collection of short stories by the Danish author Karen Blixen (who wrote under the pen name, Isak Dinesen). Here is a summery of the synopsis: Vanessa, a grand middle-aged lady, has been living in isolation …

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