Brahms’ Tragic Overture: Mysterious and Melancholy

By habit, Johannes Brahms often composed pairs of contrasting works in the same genre. Brahms’ two concert overtures, written during the summer of 1880, follow this pattern of compositional yin and yang. The impetus for the witty and celebratory Academic Festival Overture, a collection of frolicking student songs intricately developed, was an honorary doctorate, awarded to the composer by the University of Breslau. Tragic Overture, Op. 81 formed the companion piece. Describing …

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Brahms’ Violin Concerto: Christian Tetzlaff, Robin Ticciati, and Deutsches Symphonie-Orchester Berlin

Johannes Brahms’ Violin Concerto in D Major, Op. 77 was born out of a deep collaborative friendship. Brahms composed the monumental work during the summer of 1878, a year after completing his Second Symphony, in the southern Austrian lakeside town of Pörtschach am Wörthersee. The Concerto was dedicated to the Hungarian-born violinist, Joseph Joachim (1831-1907), who actively advised the composer on technical aspects of the violin in relation to the score. Joachim, …

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Brahms’ Violin Sonata No. 3 in D Minor: Tempestuous and Dramatic

With the symphonies and other large-scale works behind him, Johannes Brahms was at the height of his artistic maturity when, during the summer of 1886, he composed the Violin Sonata No. 3 in D minor, Op. 108. The last of Brahms’ violin sonatas, Op. 108 is also the most tempestuous and dramatic. Unfolding in four movements rather than three, it is set in the turbulent key of Beethoven’s monumental Ninth Symphony and …

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Brahms’ Trio in E-flat Major for Horn, Violin, and Piano: Music of Nature

In May of 1865, following the death of his beloved mother Christiane three months earlier, Johannes Brahms retreated to the picturesque seclusion of Baden-Baden in Germany’s Black Forest. It was here that Brahms composed his Trio in E-flat Major for Horn, Violin, and Piano, Op. 40. He worked in a room which, in his words, “looks out on three sides at the dark, wooded mountains, the roads winding up and down them, …

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Brahms’ Academic Festival Overture: A Witty Musical “Thank You”

In 1879, the University of Breslau in Prussia (now Wrocław, Poland) awarded Johannes Brahms an honorary doctorate in philosophy. The acclaimed composer, who never attended college, had little use for academic titles. When Cambridge University attempted to bestow a similar honor three years earlier, Brahms declined, forgoing lionization and sea travel—both of which he despised—for the quiet comfort of his home. His postcard response to the faculty in Breslau was met with …

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Martha Argerich Plays Brahms: The Rhapsodies, Op. 79

The title, “rhapsody,” suggests free and improvisatory music in which raw emotion supersedes formal structure. Johannes Brahms’ two Rhapsodies, Op. 79 for solo piano only partially conform to this definition. While both are passionately Romantic, they unfold with a clearly defined sense of structure—ternary or “ABA” in the first movement, and sonata form in the second. Brahms wrote the Op. 79 Rhapsodies during the summer of 1879 at the Austrian resort town …

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Brahms’ Two Motets, Op. 74: Sacred Music for A Cappella Choir

In the Old Testament Book of Job, God allows Satan to strip the righteous Job of his family and wealth as a test of his faith. Job cries out in anguish (“Why has light been given to the weary of soul?”), and reflects on existential questions of worldly evil and divine grace. This is the subject of the first of Johannes Brahms’ Two Motets, Op. 74, Warum ist das Licht gegeben den …

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