Liszt

Liszt’s Second Piano Concerto: Khatia Buniatishvili in Concert

Franz Liszt’s Second Piano Concerto begins with a hauntingly romantic melody. We hear it first in the solo clarinet, accompanied by a woodwind chorale. For a composer whose music is often filled with larger-than-life virtuoso bravura, these quiet opening bars seem surprisingly unassuming, perhaps even lamenting. They open the door to the magic and mystery of the piano’s entrance a moment later, in which the melody is outlined in arpeggios which seem …

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Eight Pieces Based on the Dies Irae

Last week, we explored two pieces which bookend the musical output of Sergei Rachmaninov- the First Symphony, which Rachmaninov wrote at the age of 22, and the Symphonic Dances, his “last spark,” completed in 1940. The Dies irae, the ancient chant of the dead, emerges as a prominent presence in both works. It’s a motive that returns throughout Rachmaninov’s music with haunting regularity. We hear it in The Isle of the Dead, The Bells, and the Rhapsody on a Theme of Paganini, where it …

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Five Excerpts from Verdi’s “Simon Boccanegra”

The premiere of the first version of Giuseppe Verdi’s three act opera, Simon Boccanegra, took place in Venice on this date (March 12) in 1857. At this first performance, the dark, historical drama, once described by the composer as “too sad and desolate,” was a flop. Verdi returned to the work over twenty years later with an 1881 revision that was more successful. This is the version that is most often heard today. It contains some …

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Even Better Than the Real Thing

In 1984, a bold, new skyscraper emerged on the Manhattan skyline, which captured everyone’s attention and became the subject of intense controversy. The Chippendale-inspired broken pediment crown of architect Philip Johnson’s AT&T Building shocked the architectural establishment because it so profoundly violated the ruling aesthetic of the day. This bizarre new icon seemed to be cheerfully thumbing its nose at the solemn, modernist glass boxes which surrounded it. Postmodernism was born. Modernism, …

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Carmen Fantasies

Georges Bizet’s Carmen remains one of opera’s most popular hits, partly because of its rich and exotic melodies. These melodies were the inspiration for Spanish violinist Pablo de Sarasate’s Carmen Fantasy, written in 1883. In the nineteenth century, composers commonly used opera melodies as a springboard for new virtuoso showpieces. At the time, arias from Carmen and other operas would have fallen into the category of “popular music.” Franz Liszt wrote a  Fantasia on two themes from Mozart’s …

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