J.S. Bach

The Artistry of Ferruccio Busoni: Historic Recordings from 1922

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Ferruccio Busoni (1866-1924), who died 100 years ago last July, was a musical renaissance man. The Italian composer, pianist, conductor, teacher, writer, and editor has been called “the first truly modern composer.” He is also remembered for numerous enduring transcriptions of the music of J.S. Bach. Busoni associated with such a disparate group of contemporaries as Schoenberg, Sibelius, and Edgard Varèse. His small circle of students included Kurt Weill. The pianist Alfred …

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Bach’s Brandenburg Concerto No. 1 in F Major, BWV 1046: Festive Horn Calls

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Festive horn calls ring out from the opening measures of J.S. Bach’s Brandenburg Concerto No. 1 in F Major. Rousing and raucous, this is joyful music of the hunt. As the Netherlands Bach Society observes, On turning over the impressive title page of the ‘Brandenburg’ Concertos, two hunting horns immediately blare through the rest of the music – calling everyone to gather together! Bach deliberately lets the persistent horns disturb his music. …

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Bach’s Violin Sonata No. 1 in G Minor, BWV 1001: James Ehnes at Home

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J.S. Bach’s six Sonatas and Partitas for Solo Violin are technical and musical marvels. They transform the violin, an instrument usually associated with a single melodic line, into a vehicle of dazzling polyphony. The collection begins with the purity and resonance of G minor, a key which is centered on the open fifths of the violin’s lowest two strings. The Adagio which opens the Violin Sonata No. 1 in G minor, BWV …

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Bach’s Sonata No. 3 in C Major, BWV 1005, Largo: Christian Tetzlaff

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When it comes to J.S. Bach’s six Sonatas and Partitas for Solo Violin (BWV 1001-1006), we are never done learning. Once you begin to play and study this timeless, awe-inspiring music, new details reveal themselves continuously, in unending layers. An intrinsic part of the violin repertoire, the collection includes Baroque dances, three fugues, and a monumental chaconne. Bach gave multi-voice counterpoint to an instrument that is primarily associated with single melodic lines. …

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Bach’s Cantata, BWV 140, “Wachet auf”: Boundless Imagination

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J.S. Bach’s Cantata, BWV 140, Wachet auf (“Sleepers Awake”) has been called “a cantata without weakness, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and boundless imagination rouse one’s wonder time and time again.” (William G. Whittaker) German musicologist Alfred Dürr described it as an expression of Christian mysticism in art, with the uniting of “earthly happiness in love and heavenly bliss.” Bach composed this …

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Bach’s Sinfonia from Cantata, BWV 21 (“Ich hatte viel Bekümmernis”): A Portrait of Greif

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J.S. Bach composed the Cantata, Ich hatte viel Bekümmernis, BWV 21 (“I had much grief”) in 1713 during his tenure as director of music at the court of Weimar. It was first performed a year later on the third Sunday after Trinity. Themes of suffering, grief, and mourning dominate the opening section of the Cantata, which, as conductor John Eliot Gardiner observes, is “set almost obsessively in C minor.” It is a …

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Bach’s “Herr Jesu Christ, dich zu uns wend”: Five Settings of a Lutheran Hymn

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First published in 1648, the Lutheran hymn, Herr Jesu Christ, dich zu uns wend (“Lord Jesus Christ, be present now!”), provided a fertile source for J.S. Bach. Bach created at least five wildly contrasting settings of the melody, each of which relates to a specific aspect of the text. The melody is by an anonymous composer. (It has been erroneously attributed to Wilhelm, Duke of Saxe-Weimar). Beginning with an ascending triad, the hymn …

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