Bach’s Prelude and Fugue in E-flat Major, BWV 852, Pieter-Jan Belder

The Dutch harpsichordist Pieter-Jan Belder considers Bach’s Prelude and Fugue in E-flat Major (No. 7 from Book 1 of The Well-Tempered Clavier) to be a significant emotional departure from the preceding pieces in the set. “When you get to this Prelude, you’re in another world,” he says. Indeed, from the opening bars a sublime, ever-rising conversation unfolds between two voices—one high, and the other low. This opens the door to an expansive chorale …

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Joyful Sounds of Praise: Five Musical Settings of Psalm 150

Praise God in His sanctuary; praise Him in the firmament of His power. Praise Him for His mighty acts; praise Him according to His abundant greatness. Praise Him with the blast of the horn; praise Him with the psaltery and harp. Praise Him with the timbrel and dance; praise Him with stringed instruments and the pipe. Praise Him with the loud-sounding cymbals; praise Him with the clanging cymbals. Let every thing that …

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Bach’s Prelude and Fugue in B-flat Minor, BWV 867, Kris Verhelst

It’s time to return to the Netherlands Bach Society for another recently released performance. Every Friday the organization adds a new high quality video recording to its website as part of its All of Bach initiative. The project will conclude with a complete catalogue of J.S. Bach’s works in time for the Netherlands Bach Society’s centenary in 2022. Here, the Belgian harpsichordist Kris Verhelst performs Bach’s Prelude and Fugue No. 22 in B-flat minor, …

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Remembering Anner Bylsma

The Dutch cellist Anner Bylsma passed away last Thursday in Amsterdam. He was 85. Bylsma will be remembered as a profound and influential interpreter of J.S. Bach’s six solo Cello Suites. His book, Bach, the Fencing Master provides a treatise for historically informed performance practice. For six years (from 1962-1968) Bylsma served as principal cellist of the Royal Concertgebouw Orchestra. In a social media statement, cellist Steven Isserlis called him “a wonder—soaringly imaginative, utterly original and …

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Bach’s Prelude and Fugue in F Minor, BWV 857, Pieter Dirksen

Every Friday the Netherlands Bach Society adds a new high quality video recording to its website as part of its All of Bach initiative. Their goal is to perform all of J.S. Bach’s works in the run-up to the organization’s centenary in 2022. One of the recent additions to their Youtube channel is harpsichordist and musicologist Pieter Dirksen’s performance of Bach’s Prelude and Fugue in F minor, BWV 857. This is the twelfth …

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Bach’s Fantasia in G Major, BWV 572: The Power of the Pedal Tone

In his discussion of the extraordinary and haunting pedal tone at the end of the first movement of Bruckner’s Seventh Symphony, the composer and commentator Richard Atkinson goes back to J.S. Bach’s mighty Fantasia in G Major for Organ, BWV 572. (Atkinson’s YouTube channel is filled with insightful videos which take a fascinating look “under the hood” at a variety of music). Bach’s Fantasia, or Pièce d’Orgue as it is sometimes called, offers a …

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Bach’s Third Orchestral Suite in Two Flavors

J.S. Bach was a composer who wrote for the occasion more than for posterity. Often, this entailed an organ fugue or choral cantata for Leipzig’s St. Thomas Church, where Bach was music director from 1723 until his death in 1750. Less often, Bach was called upon to produce festive, celebratory orchestral music. The four Orchestral Suites fall into this category. The Suite No. 3 in D major, BWV 1068 was probably composed around 1730 …

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