Remembering Giuseppe Giacomini

Giuseppe Giacomini, the celebrated Italian dramatic tenor, passed away on Wednesday. He was 80. Giacomini, known as Bepi” among his fans, made his professional debut in 1966 in Vercelli, performing the role of Pinkerton in Puccini’s Madame Butterfly. He went on to appear on the stages of the world’s leading opera houses. Additionally, Giacomini performed for numerous world leaders and for the opening of the 1988 Olympic Games in Seoul. He continued to …

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Leontyne Price: Canzone di Doretta from Puccini’s “La Rondine”

Giacomo Puccini’s 1917 opera, La Rondine (“The Swallow”), tells the story of Magda, a Parisian courtesan who falls in love with the handsome young Ruggero. Ultimately, Magda is haunted by her past and leaves Ruggero, returning to her old life like a swallow returning to the nest. The opera’s most famous aria, Chi il bel sogno di Doretta, comes in the first act. At a party, the poet Prunier affirms the power of romantic love. …

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The Artistry of Eileen Farrell: Five Essential Recordings

Thursday marks the centennial of the birth of the legendary American soprano, Eileen Farrell (1920-2002). Hailed as possessing “one of the largest and most radiant operatic voices of the 20th century,” Farrell was a remarkably versatile artist. In a career spanning nearly 60 years, she was equally at home in the world of opera, jazz, and popular music. She hated categories, and in an interview during the final years of her life, …

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Remembering Mirella Freni: “Sì, mi chiamano Mimì” from Puccini’s “La Bohème”

Mirella Freni, the acclaimed Italian operatic soprano, passed away on Sunday. She was 84. In a career spanning 50 years, Freni appeared on the world’s major opera stages and in numerous film versions of operas. She was closely associated with Verdi and Puccini roles, but she will also be remembered for her performances of Mozart operas and Carmen. Later in her career, her repertoire included Russian opera with Tchaikovsky’s Eugene Onegin, The Queen of Spades, and …

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Puccini’s Turandot: Five Key Moments

In Wednesday’s post, we heard a few examples of Puccini’s flirtations with impressionism. Puccini’s final opera, Turandot is filled with colorful orchestration and adventurous harmony which evokes the exotic atmosphere of the mythic story: Princess Turandot, determined to never marry, takes revenge on her suitors through a series of riddles. Failure to answer correctly results in the suitor’s execution. Here are five key moments from the opera: Signore, ascolta!  Calaf, the young Prince of Tartary, catches sight of …

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Puccini the Impressionist

Longtime readers of The Listeners’ Club may recall that this is the time of year when the Richmond Symphony often travels throughout the state as the pit orchestra for Virginia Opera. This year, we’ve been playing Giacomo Puccini’s Turandot. With lush, soaringly romantic melodies, Puccini’s operas are some of the most rewarding to play, from the perspective of a string player. Puccini’s music also brings drama and characterization to life in uniquely powerful ways. For example, listen …

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Remembering Soprano Elisabeth Carron

American soprano Elisabeth Carron passed away last Thursday at the age of 94. Born in Newark, New Jersey to Sicilian immigrant parents, Carron performed regularly at New York City Opera in its heyday. She was widely respected for her roles in Puccini operas which included Cio-Cio-San in Madama Butterfly, Mimì in La Bohème, and Liu in Turandot. Additionally, she performed prominent roles in contemporary American operas such as Gian-Carlo Menotti’s The Saint of Bleecker Street (1954), Marc Blitzstein’s Regina (1958), and Kurt Weill’s Street …

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