Remembering Maurizio Pollini

Maurizio Pollini, the acclaimed Italian pianist whose career spanned more than six decades, passed away on March 23 in a clinic in his native Milan. He was 82. La Scala, the opera house where Pollini frequently performed,  hailed the Grammy-winning pianist as “one of the great musicians of our time and a fundamental reference in the artistic life of the theater for over 50 years.” Pollini began performing publicly at age 11, …

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Remembering André Watts

André Watts, the celebrated American pianist, has passed away following a battle with prostate cancer. He was 77. At the age of 16, Watts made his national debut, performing Liszt’s Piano Concerto No. 1 in E-flat with Leonard Bernstein and the New York Philharmonic as part of a nationally televised Young People’s Concert. Soon after, Bernstein invited Watts to perform on one of the orchestra’s subscription programs, where he substituted for an …

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Chopin’s Mazurka in A Minor Op. 17, No 4: Evgeny Kissin

Frédéric Chopin’s Mazurka in A minor, Op. 17, No. 4 inhabits the ephemeral world of dreams. Emerging out of silence, the opening bars are hazy and harmonically ambiguous. They contain a rising three-note cell which searches for the “right” note and soon spins into a melody. It is music which seems to be composing itself in realtime. Traditionally, the mazurka is a lively Polish folk dance in triple meter, with strong accents …

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Chopin’s Nocturnes, Op. 15: Songs of the Night

Composed between 1830 and 1833, Frédéric Chopin’s three Op. 15 Nocturnes for solo piano are haunting, dreamy, and intimate songs of the night. They unfold as bel canto arias without words, in which the piano becomes a singing voice. Chopin’s 21 Nocturnes popularized and expanded a form which was developed a generation earlier by the Irish pianist and composer, John Field (1782-1837). They feature daring harmonic innovations which influenced later composers.  In …

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Chopin’s Nocturnes, Op. 27: Enharmonic Dreamscapes

Frédéric Chopin’s Op. 27 Nocturnes inhabit a serene, sensuous, and melancholy dreamscape. The two pieces for solo piano, composed in 1836, are among twenty-one surviving Nocturnes written by Chopin. The form originated a generation earlier with the English composer-pianist, John Field (1782-1837). Chopin’s Nocturnes become magical and atmospheric “songs of the night.” They are bel canto arias without words, in which the piano is transformed into a singing instrument. They are harmonically …

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Remembering Nelson Freire

Nelson Freire, the acclaimed Brazilian pianist, passed away earlier this week at his home in Rio de Janeiro. He was 77. Born in Boa Esperança, Freire began playing the piano around the age of four. One of his earliest teachers, Lucia Branco, studied with a student of Franz Liszt. At the age of 12, Freire performed Beethoven’s Emperor Concerto and was a prizewinner at the Rio de Janeiro International Piano Competition. Shortly thereafter, he …

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Chopin’s Fantaisie in F Minor, Op. 49: Elation and Sorrow

Frédéric Chopin wrote the following words in a letter from October, 1841: Today I finished the Fantaisie—and the sky is beautiful, my heart sad—but that doesn’t matter at all. If it were otherwise, my existence would perhaps be of no use to anyone. Chopin’s Fantaisie in F minor for solo piano is music of persistent melancholy and soaring elation. As its title suggests, it is dreamlike, rhapsodic, and improvisatory. It was written …

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