Remembering Jodie Devos

Jodie Devos, the celebrated Belgian soprano, passed away last Sunday, June 16, as a result of rapidly-progressing breast cancer. She was 35. At the time of her death in Paris, she was surrounded by family. In a social media post, soprano Barbara Hannigan remembered Devos as “a beautiful artist, vibrant and radiant of sound and presence.” In a statement to Belgian news channel VRT, conductor Dirk Brossé said, “We have lost one …

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Debussy’s “Danseuses de Delphes”: Homage to Ancient Caryatids

In 1894, a team of French archeologists discovered the toppled ruins of elaborate caryatids which adorned the Acanthus Column near the Temple of Apollo in the Ancient Greek city of Delphi. As sculptures representing female figures, caryatids form pillars throughout Greek architecture. The graceful, flowing Dancers of Delphi, constructed around 330 BC and now forever free of their structural burden, remain frozen in motion. The first of Claude Debussy’s 24 Préludes for solo …

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Debussy’s “Christmas for Children Who No Longer Have a Home”: A Carol of Patriotism and Defiance

In 1915, German armies occupied much of France, and Paris fell under aerial bombardment via Zeppelin airships and mono and biplanes. Throughout Europe, civilians were displaced. In December of 1915, Claude Debussy composed the brief popular song, Noël des enfants qui n’ont plus de maison (“Christmas for Children Who No Longer Have a Home”). The raging words, also written by Debussy, form a prayer for French children, orphans, and the homeless. It …

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Debussy’s “Feuilles Mortes”: A Desolate Landscape

Feuilles mortes (“Dead Leaves”) is the second piece in Book II of Claude Debussy’s Préludes for solo piano. Composed in 1913, the music suggests the vivid colors and atmosphere of an impressionistic painting. It evokes a bleak and desolate late autumn landscape—perhaps one in which a frost has already descended. Debussy’s interpretive marking is Lent et mélancolique. Filled with jazzy parallel chords, the music inhabits a haunting dreamscape. Quiet, ghostly ostinatos emerge …

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Debussy’s “Les collines d’Anacapri”: A Sunny Mediterranean Postcard

Claude Debussy’s twenty four Préludes for solo piano, composed between 1909 and 1913, are atmospheric snapshots. Each opens up an enticing new vista which draws us in with the immediacy and sensuality of the most vivid impressionistic painting.  Les collines d’Anacapri (“The Hills of Anacapri”), the fifth prelude from Book 1, was inspired by the Mediterranean scenery surrounding the town of Anacapri on the island of Capri. Debussy visited this location in the …

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Remembering Menahem Pressler

Menahem Pressler, the pianist and founding member of the Beaux Arts Trio, passed away on May 6. He was 99. Born in Magdeburg, Germany, the 14-year-old Pressler hid from Nazi thugs who vandalized the shop owned by his Jewish parents during the Kristallnacht. In 1939, the family fled and emigrated, first to Israel and then to the United States. In 1946, Pressler won first prize at the Debussy International Piano Competition in San …

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Debussy’s Trois Chansons de Bilitis: Illusions of Antiquity

In 1894, the French writer, Pierre Louÿs, published a series of erotic poems titled, Les Chansons de Bilitis. Louÿs, who sought to “express pagan sensuality with stylistic perfection,” attributed the poems to Bilitis, an Ancient Greek woman who was a contemporary of Sappho. In the introduction of the book, Louÿs claimed that he had translated the collection following its discovery on the walls of a tomb in Cypress. In fact, Pierre Louÿs had …

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