The Coronation Scene from Boris Godunov: Opera’s Biggest Spectacle?

From its origins in medieval and Renaissance courtly entertainment, opera has always been partly rooted in spectacle. Nineteenth century French grand opera used large casts, expanded orchestras, grandiose scenery, consumes and special effects, and ballet to bring to life epic heroic tales based on historical subjects. (Meyerbeer’s five-act Les Huguenots from 1836 is an example.) A sense of theatricality and spectacle is at the heart of the Triumphant March from Verdi’s Aida, set in ancient Egypt. History (this time recent) became …

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Classical Music Has Long Been at Home on Sesame Street

In August came the surprise announcement that the popular children’s television program Sesame Street will be moving to HBO. (Reruns will still appear on PBS). The show’s nonprofit producers reached a five-year agreement with HBO. For 45 years Sesame Street has been freely available to the community on Public Broadcasting. Sesame Street‘s controversial move has raised broader questions about the commodification and privatization of the arts and education at the expense of the public realm. The effect on …

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Josef Gingold: A Rare 1944 Profile

Earlier in the week, a Listeners’ Club reader sent me a fascinating and rare slice of American violin history. Below is music critic Russell McLauchlin’s profile of a 35-year-old Joseph Gingold which appeared in the Detroit Jewish News on December 8, 1940. Gingold had just left Toscanini’s NBC Symphony in New York to become concertmaster of the Detroit Symphony. Within a few years, he would go on to hold the same title with the Cleveland Orchestra …

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The Mercurial Romanticism of Schumann’s Fantasiestücke, Op. 73

Listening to Robert Schumann’s Fantasiestücke, Op. 73 forces us to live in and enjoy the moment. The three short “Fantasy Pieces,” written in just over two days in February, 1849, are filled with abrupt, slightly schizophrenic, changes in mood. Moments of deep introspection, followed by bursts of euphoria, remind us of Florestan and Eusebius, the split personalities which inhabit much of Schumann’s music. In the Fantasy Pieces, each delightful and unexpected harmonic shift whisks …

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Remembering Sir David Willcocks

  British choral conductor, organist and composer Sir David Willcocks passed away yesterday. He was 95. Between 1957 and 1974, Willcocks directed the Choir of King’s College, Cambridge. His numerous recordings with that ensemble showcase its distinct sound, which relies on the lightness and purity of boy sopranos. Between 1974 and 1984, Willcocks served as administrative director of the Royal College of Music in London. As a young man, he was awarded the …

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Marie Antoinette’s Favorite Symphony

It began with a stunningly lucrative commission. In 1785, Franz Joseph Haydn, who had spent 25 years employed by the court of Prince Nikolaus Esterházy in an isolated backwater of the Austrian Empire, was asked to write six symphonies for the orchestra of Le Concert de la Loge Olympique in Paris. The patron was the Olympic Lodge, one of the wealthiest Masonic lodges in Paris. Haydn was promised an orchestra of 67 musicians (three times the …

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Three Pieces for the Beginning of Summer

Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines,  And often is his gold complexion dimm’d; And every fair from fair sometime declines, By chance or nature’s changing course untrimm’d; But thy eternal summer shall not fade  Nor lose possession …

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