Shostakovich

Shostakovich’s First Cello Concerto: Sardonic and Defiant

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In his later years, the cellist, Mstislav Rostropovich, recalled a conversation that he had with Nina Vasilyevna, the wife of Dmitri Shostakovich. Rostropovich wondered what he could do to encourage Shostakovich to write a concerto for the cello. “Slava,” she answered, “if you want Dmitri Dmitriyevich to write something for you, the only recipe I can give you is this—never ask him or talk to him about it.” Eventually, in July of …

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Shostakovich’s String Quartet No. 3 in F Major: Haunting Ambiguities

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Dmitri Shostakovich composed the String Quartet No. 3 in F Major in 1946 in the immediate aftermath of the Second World War. The previous year, his controversial Ninth Symphony shocked audiences and upset the Soviet authorities. It had not been the epic, monumental “victory” symphony everyone had been expecting. Instead, it was light, classical, seemingly frivolous music. Taken at face value, the Ninth Symphony delivered bright music filled with joie de vivre. …

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Shostakovich’s Viola Sonata: A Farewell

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The Sonata for Viola and Piano, Op. 147, was Dmitri Shostakovich’s final work. The score was completed on July 5, 1975, a day before the composer entered the hospital where, just over a month later, he would succumb to the effects of terminal heart disease and lung cancer. Shostakovich seems to have considered the Viola Sonata to be a final farewell. All three of its movements conclude with the instruction, morendo, or “dying …

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Shostakovich’s First Violin Concerto: Dangerous Music for the “Desk Drawer”

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The music of Dmitri Shostakovich falls into two categories. There are the faceless proletarian marches, patriotic hymns, propagandistic film scores, and other superficial works which were written to appease Stalin and his cultural censors. Then, there is the music that Shostakovich dared not release publicly until after Stalin’s death in 1953. Much of this music ended up hidden in the composer’s “desk drawer.” The Violin Concerto No. 1 in A minor was …

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Shostakovich’s String Quartet No. 1: A Spring-Like Divertimento

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Dmitri Shostakovich composed fifteen symphonies and fifteen string quartets. The symphonies deliver drama on a grand, public scale. Many, such as Symphony No. 7, “Leningrad,” and Symphony No. 11, “The Year 1905,” have programmatic associations. They are filled with irony, double meaning, and coded messages. They are the music of a composer who lived continuously under mortal threat of displeasing Stalin and his Soviet cultural censors. At times equally haunting, melancholy, and …

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Shostakovich’s Second Piano Concerto: A Youthful Romp

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An infectious lightness of spirit pervades Dmitri Shostakovich’s Piano Concerto No. 2 in F Major, Op. 102. It’s music which takes us on a brief, jubilant romp filled with youthful vitality, cheerful and quirky voices, and unabashed humor. It sparkles with a witty Haydnesque classicism. The lushly beautiful second movement moves into a space of dreamy intimacy and warmth. Shostakovich composed this music in 1957 in celebration of the 19th birthday of …

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Shostakovich’s First Piano Concerto: Parody and Sardonic Humor

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Dmitri Shostakovich’s Piano Concerto No. 1 in C minor is the musical equivalent of a smirking jokester. It is a rule-breaking, Neo-baroque romp filled with sardonic humor, parody, and fleeting musical quotes. Completed by the young Shostakovich in 1933, it is actually a double concerto in which the solo trumpet and piano converse against the backdrop of a string orchestra. (The alternate title is “Concerto for Piano, Trumpet, and String Orchestra”). By …

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