“The Fairy’s Kiss”: Stravinsky’s Musical Homage to Tchaikovsky

In 1893, while attending a performance at St. Petersburg’s Mariinsky Theatre, the 11-year-old Igor Stravinsky caught a fleeting glimpse of Tchaikovsky. The occasion was the 50th anniversary production of Glinka’s opera, Ruslan and Ludmila, in which Stravinsky’s father, Fyodor, an acclaimed bass, was singing. Tchaikovsky would die two weeks later. Stravinsky recalled, I looked and saw a man with white hair, large shoulders, a corpulent back, and this image has remained in the retina of …

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Classic Recording: Tchaikovsky’s Piano Trio in A Minor, The Eastman Trio

Why have you not written a single trio? I regret this every day because every day they play me a trio, and I always sigh because you have not composed a single one. This rueful complaint was addressed to Tchaikovsky in a letter written in the autumn of 1880 by Nadezhda von Meck, the Russian business woman who was one of his most dedicated and long-lasting patrons. (She also gave financial support …

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Tchaikovsky’s “The Queen of Spades”: Lise Davidsen at the Met

Tchaikovsky’s The Queen of Spades is playing at the Metropolitan Opera through December 21. First performed at St. Petersburg’s Mariinsky Theatre in 1890, the three act opera tells a dark story of greed, obsession, and psychological breakdown. It is based on Alexander Pushkin’s novella of the same name. Yet the libretto by the composer’s brother, Modest Tchaikovsky, alters the plot significantly, allowing the gambling addict Hermann to fall in love with Liza before descending into …

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Tchaikovsky’s Fifth Symphony: A Journey from Darkness to Light

Tchaikovsky’s Symphony No. 5 in E minor begins in the shadows. A halting melody emerges in the solo clarinet, shrouded in the gloom of the low strings. It’s a melody built on simple, repeating phrases—something akin to a lamenting Russian folksong. In fact, this theme seems to have developed out of a phrase from Mikhail Glinka’s 1836 tragic opera, A Life for the Tsar, accompanying the words, “turn not into sorrow.” The Fifth Symphony’s introduction …

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Remembering Mariss Jansons: Five Great Recordings

The internationally renowned Latvian conductor Mariss Jansons passed away on Saturday. He was 76. For years, he had dealt with a long-term heart condition. Jansons will be remembered for his tireless energy and personal warmth, his legacy as an orchestra builder, and his powerful interpretations of the music of Tchaikovsky, Mahler, Strauss, and Shostakovich, among other composers. He was born in Riga, Latvia amid the German occupation of the Second World War. His …

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Tchaikovsky’s “The Tempest”: The 19th Century’s Greatest Film Score

No one was going to the movies when Tchaikovsky wrote his Shakespeare-inspired tone poem, The Tempest, in 1873. Motion picture technology was only in its infancy. Yet from a contemporary perspective, this music is deeply cinematic. Like every great film score, it gives us a visceral feeling of atmosphere. It seems larger than life, suggesting expansive and colorful vistas. Its recurring “love theme” doesn’t develop as pure music. Instead, it gives us a sense …

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Remembering Aaron Rosand

The American violinist Aaron Rosand passed away on Tuesday at the age of 92. Rosand has been described as “one of the last living connections to the golden age of violinists.” Following an April, 1970 recital, Harold C. Schonberg, longtime critic at The New York Times, wrote that “Romanticism on the violin had a rebirth last night in Carnegie Hall.” Long revered within the music community, Aaron Rosand undoubtedly deserved greater name recognition among the wider public. …

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