Three Youthful American Overtures: Music of Barber, Copland, and Schuman

Festive American music will be as much on the menu as hot dogs and hamburgers this week as we celebrate Independence Day across the United States. In anticipation of the holiday, here are three thrilling and festive American overtures from the mid twentieth century. The indomitable spirit of youth permeates all three of these pieces: Barber: Overture to “The School for Scandal,” Op. 5 This was the young 21-year-old Samuel Barber’s first …

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New Release: RPO’s “American Rapture” Features Music of Higdon, Barber, and Harlin

The Rochester Philharmonic Orchestra and Music Director Ward Stare have released a new album of American music on the Azica label. American Rapture contains two world premiere recordings—Jennifer Higdon’s Harp Concerto (2018) featuring the American harpist Yolanda Kondonassis, and Patrick Harlin’s Rapture (2011), an orchestral showpiece inspired by the terrifying and awe-inspiring exploration of the world’s deepest caves. In between these youthful pieces is Samuel Barber’s Symphony No. 1, a monumental mid-twentieth century work which unfolds in a single …

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Remembering Sanford Sylvan

The renowned American baritone Sanford Sylvan passed away suddenly last week. He was 65. Sylvan’s career on the opera stage included premieres of works by John Adams, Philip Glass, Peter Maxwell Davies and Christopher Rouse. He was the first to perform the role of Chou En-lai in Nixon in China (1987) and Leon Klinghoffer in The Death of Klinghoffer (1991). In addition, he premiered Adams’ haunting setting of Walt Whitman’s poem, The Wound Dresser. He was an …

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Samuel Barber’s Violin Concerto: An Honest, Neo-Romantic Voice

I myself wrote always as I wished, and without a tremendous desire to find the latest thing possible… – Samuel Barber in a radio interview near the end of his life An unwavering and unapologetic honesty characterizes the music of American twentieth century composer Samuel Barber (1910-1981). This is in contrast to the prevailing winds of the academic establishment of the time, who were interested in advancing the musical language in search …

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“Music for a Scene from Shelley”: Samuel Barber’s Haunting Tone Poem

… nor is it I alone, Thy sister, thy companion, thine own chosen one, But the whole world which seeks thy sympathy. Hearst thou not sounds i’ the air which speak the love Of all articulate things? Feelest thou not The inanimate winds enamoured of thee? — List! [Music. –Prometheus Unbound (Act II, Scene 5), Percy Bysshe Shelley These lines were the inspiration for Samuel Barber’s Music for a Scene from Shelley, written in …

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Barber’s “Adagio for Strings”: Manfred Honeck and the Pittsburgh Symphony

This may be the newest recording of Samuel Barber’s famous Adagio for Strings. It’s part of a Grammy award-winning album released last August by Manfred Honeck and the Pittsburgh Symphony. Recorded live in concert at Heinz Hall, it’s paired on the album with Shostakovich’s Fifth Symphony, another monumental twentieth century work written at virtually the same time. Adagio for Strings was originally conceived as the second movement of Barber’s 1936 String Quartet in B minor, Op. 11. Shostakovich …

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The Dreamy Nostalgia of Barber’s “Knoxville: Summer of 1915”

It has become that time of evening when people sit on their porches, rocking gently and talking gently and watching the street and the standing up into their sphere of possession of the trees, of birds hung havens, hangars… The opening line of Samuel Barber’s Knoxville: Summer of 1915 for voice and orchestra paints this dreamy, nostalgic scene of a summer, and America, long past. It’s a partial setting of James Agee’s autobiographical fragment …

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