Mozart’s Piano Concerto No. 14 in E-flat Major, K. 449: Magically Peculiar

In May of 1784, while reflecting on his three most recently completed piano concerti (Nos. 14, 15, and 16), Mozart insisted that he “could not choose between them,” but that “the one in E-flat [No. 14] does not belong at all to the same category. It is one of a quite peculiar kind…” Piano Concerto No. 14 in E-flat Major, K. 499 is intimate chamber music. Unlike Mozart’s later concerti, the wind …

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Mozart’s String Quartet No. 21 in D Major, K. 575: Music for a Prussian King

In June of 1789, the 33-year-old Mozart began writing a set of six string quartets for Friedrich Wilhelm II, the King of Prussia, a passionate music lover and a fine amateur cellist. Mozart had played at the King’s Potsdam court during a tour the previous spring. Ultimately, Mozart was unable to fulfill the commission. After completing the first Quartet (K. 575), he became occupied with the opera, Così fan tutte. He returned to …

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Mozart’s “The Marriage of Figaro” Overture: A Wild and Exhilarating Ride

Mozart’s 1786 comic opera in four acts, The Marriage of Figaro, K. 492, is filled with trickery, deception, overheard conversations, cunning disguises, and crazy schemes. Unfolding over the course of a single “day of madness,” it tells the story of two servants, Figaro and Susanna, who succeed in getting married despite the efforts of their lecherous employer, Count Almaviva. The play by Pierre Beaumarchais, on which the opera was based, faced censorship because …

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Remembering Jodie Devos

Jodie Devos, the celebrated Belgian soprano, passed away last Sunday, June 16, as a result of rapidly-progressing breast cancer. She was 35. At the time of her death in Paris, she was surrounded by family. In a social media post, soprano Barbara Hannigan remembered Devos as “a beautiful artist, vibrant and radiant of sound and presence.” In a statement to Belgian news channel VRT, conductor Dirk Brossé said, “We have lost one …

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Mozart’s “Eine Kleine Nacht-Musik”: A Cheerful Nocturnal Serenade

Mozart’s G major string Serenade No. 13, commonly known as Eine kleine Nachtmusik (“A Little Night Music”), is among the most enduring popular music ever written. Responding to an unknown commission, Mozart dashed it off on August 10, 1787 in Vienna as he worked on the second act of the opera, Don Giovanni. Originally scored for string quartet and double bass, the piece is frequently performed by a string orchestra. German commentator Wolfgang Hildesheimer wrote, “even …

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Mozart’s “Ave Verum Corpus”: Sublime Simplicity

Austrian pianist Artur Schnabel insisted that Mozart’s Ave verum corpus, K. 618 is “too simple for children, and too difficult for adults.” Indeed, this simple choral, unfolding over 46 measures, imparts a cosmic “rightness.” It says all that needs to be said. The score is inscribed with a single interpretive marking—sotto voce, which implies a hushed, reverent tone. This motet was composed in the final six months of Mozart’s life, concurrently with The …

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Mozart’s Piano Concerto No. 17 in G Major: A Magical Operatic Drama

Mozart wrote six piano concerti in 1784. Each distinct in atmosphere, they served as dazzling vehicles to highlight the composer’s skill as one of Vienna’s superstar keyboard players. Among these works, Piano Concerto No. 17 in G Major, K. 453 has a special story. Mozart wrote it for his beloved student, Barbara (“Babette”) Ployer, the teenage niece of an adviser to the Salzburg imperial court, who lived outside of Vienna. Proudly, he …

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