Mahler’s Adagietto: Michael Tilson Thomas and the London Symphony Orchestra

From 1988 to 1995, Michael Tilson Thomas served as principal conductor of the London Symphony Orchestra, succeeding Claudio Abbado. His first association with the ensemble came in 1970 when he stepped in as a last minute replacement for Gennady Rozhdestvensky. In a recent obituary published by the London Symphony Orchestra, violinist Sarah Quinn recalls, I first worked with MTT nearly 30 years ago, when I was a nervous student sitting at the …

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Remembering Michael Tilson Thomas

American conductor, composer, and pianist Michael Tilson Thomas passed away at his home in San Francisco last Wednesday following a battle with glioblastoma, an aggressive form of brain cancer. He was 81. Known widely as “MTT,” Tilson Thomas served as music director of the San Francisco Symphony for 25 years. He is credited with elevating the orchestra’s stature and championing adventurous new music. The grandson of Boris and Bessie Thomashefsky, stars of New …

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Mahler’s “Des Knaben Wunderhorn,” “Wo die schönen Trompeten blasen”: A Ghostly Nocturnal Vision

Songs gave rise to symphonies during Gustav Mahler’s “Wunderhorn years.” This was the period from 1887 to 1904 when Mahler composed his first four symphonies, all of which are rooted in nature and song. In some cases, songs provided the seeds for symphonic movements. The texts for Mahler’s twelve-song cycle, Des Knaben Wunderhorn (“The Boy’s Magic Horn”) were based on a collection of anonymous German folk poems of the same title, compiled and …

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Remembering Seiji Ozawa

Seiji Ozawa, the internationally renowned Japanese conductor, passed away in Tokyo last week (February 6, 2024) as a result of heart failure. He was 88. Ozawa’s 29-year tenure as music director of the Boston Symphony Orchestra began in 1973. Prior to the appointment, he served as music director of the Toronto Symphony Orchestra (1965-1969) and the San Francisco Symphony (1970-1977). In 1984, he founded the Saito Kinen Orchestra in Matsumoto, Japan. In …

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Mahler’s “Erinnerung”: Dietrich Fischer-Dieskau and Leonard Bernstein

Composed in the 1880s, prior to the First Symphony, Erinnerung (“Remembrance”) is one of the early songs of Gustav Mahler. It is the second in a collection of fourteen Lieder und Gesänge (“Songs and Airs”) published in 1892. The text, by the German poet, Richard Leander (1830-1889), reflects on the intermingling of love and song. Mahler’s setting is shrouded in dreamy melancholy and quiet anguish. The lamenting melody drifts over a hypnotic stream of …

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Mahler’s First Symphony: The Titan

Mahler’s Symphony No. 1 in D Major is music rooted in nature and song. It is the work of a 28-year-old composer who was rapidly rising as one of Europe’s premier conductors, and who was coming out of a stormy love affair with Marion von Weber, the wife of the grandson of composer, Carl Maria von Weber. It is music which synthesizes the Romantic influences of Beethoven, Schubert, Berlioz, Liszt, and Bruckner, …

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Mahler Meets Schnittke: The Unfinished Piano Quartet in A Minor

Gustav Mahler was fifteen or sixteen years old and a student at the Vienna Conservatory when, in 1876, he composed the Piano Quartet in A minor. The work exists as a single movement, cast in sonata form and marked Nicht zu schnell (not too fast). Conceived as the opening movement of a larger abandoned project, it is followed by a thirty-two measure fragment of an unfinished scherzo. This is the only surviving …

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