Mahler’s Third Symphony: A Progression to the Divine

When Gustav Mahler and Jean Sibelius met in Helsinki in 1907, the two composers laid out radically contrasting conceptions of the symphony. Sibelius found beauty and ultimate meaning in the symphony’s “severity of form” and “profound logic.” “No!” Mahler replied. “The symphony must be like the world. It must embrace everything!”  No Mahler Symphony gives us a greater sense of this cosmic scale than the Third. Set in six movements, it remains the longest symphony in …

Read moreMahler’s Third Symphony: A Progression to the Divine

Illinois’ Krannert Center for the Performing Arts Turns 50

As a child, I spent a year and many succeeding summers at the University of Illinois in Urbana-Champaign, where my father was a student of trombone professor Dr. Robert Gray. Some of my most vivid memories include attending concerts at the University’s Krannert Center for the Performing Arts, where as a 9-year-old, I heard the Chicago Symphony and the Cleveland Orchestra, as well as the University’s fine student ensembles. This weekend, the …

Read moreIllinois’ Krannert Center for the Performing Arts Turns 50

This Scherzo is No Joke

In Italian, the word “scherzo” means “joke” or “jest.” Theodore Baker’s Schirmer Pronouncing Pocket Manual of Musical Terms (an invaluable resource my first violin teacher recommended to me as a child) defines the musical scherzo as 1. An instrumental piece of a light, piquant, humorous character. 2. A vivacious movement in a symphony, with strongly marked rhythm and sharp and unexpected contrasts in rhythm and harmony; usually the third movement. There are a host of pieces which fit these …

Read moreThis Scherzo is No Joke

Mahler’s Fifth Symphony: A Dramatic Departure

Heavens, what is the public to make of this chaos in which new worlds are forever being engendered, only to crumble into ruin the next moment? What are they to say to this primeval music, this foaming, roaring, raging sea of sound, to these dancing stars, to these breathtaking, iridescent, and flashing breakers? Gustav Mahler wrote these poetic words in a letter to his wife, Alma, following the first rehearsal for the …

Read moreMahler’s Fifth Symphony: A Dramatic Departure

“I Am Lost to the World”: Mahler’s Song of the Solitary Artist

I am dead to the world’s tumult, And I rest in a quiet realm! I live alone in my heaven, In my love and in my song! These are the final lines of “Ich bin der Welt abhanden gekommen” (“I Am Lost to the World”), a poem by Friedrich Rückert (1788-1866) which Gustav Mahler set as the fourth song of his Rückert Lieder in the summer of 1901. Mahler was personally drawn to the poem, …

Read more“I Am Lost to the World”: Mahler’s Song of the Solitary Artist

New Release: Mahler’s Sixth Symphony, Osmo Vänskä and the Minnesota Orchestra

A spectacular new hybrid SACD recording of Mahler’s Sixth Symphony, featuring Osmo Vänskä and the Minnesota Orchestra, came out earlier this month on the Swedish label, BIS Records. This is the second installment in a project which will include the complete cycle of Mahler Symphonies. (The Fifth Symphony was released last July). Vänskä and the Minnesota Orchestra have already recorded the complete symphonies of Beethoven and Sibelius. The hybrid recording technology attempts to capture …

Read moreNew Release: Mahler’s Sixth Symphony, Osmo Vänskä and the Minnesota Orchestra

Mahler and the Cuckoo

Even as a child I was struck by birdsong. -Gustav Mahler The call of the cuckoo, often associated with spring, has long inspired composers. For example, the cuckoo’s harmonious falling major third can be heard in Handel’s Organ Concerto No.13 in F Major, the second movement of Beethoven’s “Pastoral” Symphony, and Frederick Delius’ shimmering 1912 tone poem, On Hearing the First Cuckoo in Spring. The cuckoo’s call also finds its way into the music of Gustav …

Read moreMahler and the Cuckoo

Send this to a friend