Mahler Meets Schnittke: The Unfinished Piano Quartet in A Minor

Gustav Mahler was fifteen or sixteen years old and a student at the Vienna Conservatory when, in 1876, he composed the Piano Quartet in A minor. The work exists as a single movement, cast in sonata form and marked Nicht zu schnell (not too fast). Conceived as the opening movement of a larger abandoned project, it is followed by a thirty-two measure fragment of an unfinished scherzo. This is the only surviving …

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Mahler’s “Resurrection” Symphony: Music from Another World

With his Symphony No. 2 in C minor, composed between 1888 and 1894, Gustav Mahler grappled with the most fundamental metaphysical questions. In a letter, he wrote, “Why have you lived? Why have you suffered? Is it all some huge, awful joke? – We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!” The person in whose …

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Remembering Dale Clevenger

Dale Clevenger, the legendary principal horn player for the Chicago Symphony from 1966 to 2013, passed away on January 5. He was 81. Born in Chattanooga, Tennessee, Clevenger began playing the horn at the age of 13. Before joining the Chicago Symphony, he was a member of Leopold Stokowski’s American Symphony Orchestra and the Symphony of the Air. His discography included the Grammy-winning 1968 album, The Antiphonal Music of Gabrieli, featuring the brass sections …

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“Blumine”: Mahler’s “Blunder of Youth”

Blumine (“Flower”) was the original Andante second movement of Gustav Mahler’s First Symphony. It was eliminated following the the third performance, conducted by Mahler in Weimar in 1894. With this revision, a sprawling and programmatic five-movement tone poem was refined into a symphony. Years later, Mahler dismissed Blumine as “a blunder of youth.” The manuscript resurfaced in 1959 and it was included in a June 18th, 1967 performance conducted by Benjamin Britten. Although some conductors have reinserted this music, …

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The Artistry of Christa Ludwig: Two Songs from Mahler’s “Rückert Lieder”

During the summers of 1901 and 1902, Gustav Mahler wrote five Lieder based on poems written by Friedrich Rückert (1788-1866). Mahler did not intend the Rückert-Lieder (Songs after Rückert) to be performed as a cycle. Originally, the songs were published independently and later grouped together. Ich bin der Welt abhanden gekommen (“I Am Lost to the World”) is the dreamy soliloquy of the solitary artist, which concludes with the lines, “I live alone …

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Returning to Mahler in a Time of Crisis

This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before. -Leonard Bernstein in an address following the assassination of President John F. Kennedy, November, 1963 On Friday, November 22, 1963, Leonard Bernstein was at Philharmonic Hall, reviewing scripts for an episode of the New York Philharmonic Young People’s Concerts, scheduled to be televised the next day. When initial reports of the President’s assassination came in, …

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Mahler’s Seventh Symphony: A Journey Through the Night

The Seventh may be the most strange and enigmatic of Gustav Mahler’s nine completed symphonies. Its five symmetrically arranged movements take us on a mysterious and haunting journey into the night. This is music that attracted the young Arnold Schoenberg, who heard the crumbling of romanticism in the Seventh Symphony’s daring and sometimes disquieting modernism. Schoenberg’s First Chamber Symphony, completed in 1906—a year after Mahler completed the Seventh Symphony—contains many themes built …

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