Handel

Handel’s “Un ‘Alma Innamorata”: A Secular Cantata for the Wounded Lover

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Before television, internet, movies, and rock and roll, there was the secular cantata. During the late Baroque period in Italy, these dramatic vocal works were popular entertainment in wealthy, aristocratic circles. Made up of a brief sequence of recitatives and arias, the secular cantata amounted to a kind of highly condensed opera. Between 1706 and 1709, the young George Frideric Handel traveled throughout Italy and produced at least 40 solo cantatas, most …

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Handel’s Trio Sonata in B Minor, HWV 386: Richard Egarr and the Academy of Ancient Music

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Handel’s six Trio Sonatas, Op. 2 (HWV 386-391) were written between 1717 and 1719 and circulated in a bootleg edition until their official publication in 1733. Following the “slow-fast-slow-fast” model of the Italian Sonata da chiesa (“church sonata”), these Sonatas represent the culmination of a form popularized by Arcangelo Corelli in the 1680s. Handel’s Trio Sonatas were scored for “two violins, two oboes, or two flutes and basso continuo.” In the Baroque period, composers …

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Handel’s “What Passion Cannot Music Raise and Quell!”: Sandrine Piau

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Saint Cecilia, one of the most famous martyrs of the early church, is the patron saint of music and musicians. Beginning in 1683, musicians in London celebrated Saint Cecilia’s Feast Day, which is November 22 on the Roman Catholic calendar. It was for this occasion that George Frederich Handel composed his cantata, Ode for St. Cecilia’s Day  in 1739. The work, which was premiered at London’s Theatre in Lincoln’s Inn Fields, is a setting of a …

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Handel’s Concerto Grosso, Op. 6, No. 11 in A Major: Bremer Barockorchester

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George Frideric Handel was one of music history’s most successful entrepreneurs. Handel’s 40-plus Italian operas brought the finest singers of the day to the London stage and earned the composer celebrity status. Yet, in 1738 when opera seria began to fall out of favor with English audiences, Handel transitioned seamlessly to a popular new genre, the dramatic oratorio. As an added attraction, he composed the twelve Concerti Grossi, Op. 6 to be performed between …

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Brahms’ Handel Variations, Op. 24: A Monument Built on Baroque Foundations

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George Frideric Handel’s Suite in B-flat Major, HWV 434, published in 1733 as part of a collection of keyboard works entitled Suites de Pièces, concludes with an Aria con variazioni in which five ebullient variations spin out of a sunny galant theme: This endearing music provided the seed for Johannes Brahms’ monumental Variations and Fugue on a Theme by Handel, composed nearly 130 years later in 1861. Here, the original theme is followed by 25 adventurous …

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Handel’s “Haec est Regina Virginum,” Anne Sofie von Otter

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In the years before his arrival in London, the young George Frideric Handel was based in Italy. Settling in Rome, Handel, a native of the German state of Saxony-Anhalt, composed cantatas and oratorios for the city’s most wealthy and powerful Cardinals. Additionally, commissions poured in from Florence, Venice, and Naples. It was during this time that Handel composed Haec est Regina virginum, HWV 235 (“Behold the Queen of Virgins”). The antiphon may have been written …

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Handel’s Fugue in A Minor, HWV 609: Haunting Chromaticism

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For a brief moment, Handel’s Fugue in A Minor, HWV 609 could almost be mistaken for a twentieth century tone row. The first haunting pitches of the fugue’s subject are disorienting because they leap wildly beyond an octave. The chromaticism which underlies the subject clouds the tonal center. In the second half of the subject, a descending chromatic line suggests a sense of deep mystery and melancholy. The fugue unfolds as an …

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