Trinity Church, Boston: Architecture and Sound

Henry Hobson Richardson's Trinity Church in Boston
Henry Hobson Richardson’s Trinity Church in Boston

 

Yesterday marked the anniversary of the birth of noted nineteenth century American architect Henry Hobson Richardson (1838-1886). Richardson’s memorable and influential designs include the turreted Allegheny County Courthouse in Pittsburgh, Albany’s City Hall and New York State Capital, Buffalo’s New York State Asylum, and Chicago’s mighty Marshall Field Wholesale Store (now demolished), as well as a host of libraries and houses in smaller towns.

Richardson’s buildings, load-bearing and often featuring extensive stone and masonry, convey a sense of rugged weight and accentuate a fascinating play of solids and voids. The Beaux-Arts-trained  architect developed a medieval revival style, imitated by later architects through the early years of the twentieth century, which became known as “Richardsonian Romanesque.”

Henry Hobson Richardson’s most famous work is undoubtedly Trinity Church in Boston’s Back Bay, built between 1872 and 1877 and designated one of the “Ten Most Significant Buildings in the United States” by the American Institute of Architects. The church anchors Copley Square, its enormous central tower creating a dramatic visual approach. In the absence of an “American” style, nineteenth and early twentieth century architects looked to historical examples in Europe. (In the case of Trinity Church, a fresh new form emerges, rather than a simple copy). Richardson wrote,

…the style of the Church may be characterized as a free rendering of the French Romanesque, inclining particularly to the school that flourished in the eleventh century in Central France.

Despite its size, Henry Cobb and I.M Pei’s neighboring 790-foot-tall John Hancock Tower, completed in 1976, defers to Trinity Church. Its sliver-thin side meets the square with an axis which keeps the church the center of attention. Mirrored glass almost makes it seem to disappear as it reflects its surroundings and becomes a liquid contrast to Trinity Church’s solidity.

As we celebrate Henry Hobson Richardson’s legacy, let’s step inside and hear the extraordinary Trinity Church choir. Here is a playlist featuring their 1999 Naxos recording, Radiant Light – Songs for the Millennium. Opening with Franz Biebl’s Ave Maria, the CD includes meditative music by Arvo Pärt, John Tavener, Tchaikovsky, Randall Thompson, and John Rutter:

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

4 thoughts on “Trinity Church, Boston: Architecture and Sound”

  1. I was so impressed by the exterior images, that the architect built into the exterior. We had to leave and was not able to gather the names and events that are displayed. Can you help define the “Saints” and the activities shown?

    Reply

Leave a Reply to Peter Bouchier Cancel reply