Copland’s Interlude: A Brief, Hypnotic Dreamscape

In Aaron Copland’s Music for the Theatre, the ghosts of early American popular music come out to play. Opening with a sharp drumroll and a brash, fanfare-like trumpet announcement, the work’s five movements are filled with jazzy melodies, off-balance rhythms, and Burlesque comedy in the form of “wrong” notes and musical “cat and mouse” games. Written in 1925, Music for the Theatre is scored for chamber orchestra, reveling in the witty, lean sound of a theater pit …

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