Ravel in Triple Meter: “Valses nobles et sentimentales” and “La Valse”

As a composer, Maurice Ravel was drawn to the waltz. For example, consider the hazy serenity of the second movement of Ravel’s Piano Concerto in G Major, or (most famously) La valse, the composer’s haunting, dreamlike remembrance of the Viennese waltz, as heard through a perfumed French filter. Around 1920 while writing La valse, Ravel described his fascination with the waltz to the musicologist and writer Jean Marnold: You know my intense attraction to these wonderful rhythms and that I …

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