Tartini’s “Didone Abbandonata”

Giuseppe Tartini, the Italian Baroque composer and violinist, was born on this date in 1692.

The most famous of Tartini’s over 400 works is the “Devil’s Trill Sonata” in G minor for violin, named after the composer’s alleged dream in which the devil appeared, playing the music with breathtaking virtuosity. But today, let’s explore another G minor Sonata by Tartini— the “Didone abbandonata” (“Dido the Forsaken”), written around 1731 and named after a stormy operatic libretto by Pietro Metastasio (1698-1782).

As a teacher, Tartini repeated the motto,

Per ben suonare bisogna be cantare (“To play well one must sing well.”)

This sense of singing is evident in David Oistrakh’s 1969 recording. I was fortunate to be able to study this piece with the Ukrainian-American violinist Oleh Krysa, who studied with Oistrakh at the Moscow Conservatory in the 1960s.

Now, let’s listen to Tartini’s “Didone abbandonata” in a period instrument performance by the Palladian Ensemble. Violinist Rodolfo Richter is joined by Susanne Heinrich (viola da gamba) and Silas Standage (harpsichord). It is fascinating to contrast this version with the one above, especially in the final movement which becomes a serene lament.

A New Strad

Tartini is the first violinist known to have owned an instrument by Antonius Stradivarius. The violin now known as the Lipinski Stradivarius is currently played by Frank Almond, concertmaster of the Milwaukee Symphony Orchestra.

After visiting Tartini around 1757 at his home in the Venetian comune of Padua, the French violinist Pierre La Houssaye wrote,

Nothing can express the astonishment and admiration which I experienced when I listened to the perfection and purity of his tone, the charm of his expression, the magic of his bowing— in short, the total perfection of his performance.


  • Tartini: Sonata in G minor, Op. 1, No. 10 “Didone abbandonata,” David Oistrakh, Frida Bauer Amazon
  • Tartini: Sonata in G minor, Op. 1, No. 10 “Didone abbandonata,” Palladian Ensemble Amazon

Photograph: “La mort de Didon,” Joseph Stallaert, 1872

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

3 thoughts on “Tartini’s “Didone Abbandonata””

  1. Oistrakh’s ‘Didone’ is really good. Galina Barinova’s version is quite enjoyable as well (though I’m not really qualified to give opinions on classical music happen to enjoy listening).

  2. Pardon me, after posting here two days ago found another fabulous version of ‘Didone Abbandonata” (when comparing Oistrakh with Barinova). It’s Erica Morini, and this slow tempo clip of hers on YouTube is especially good: Violin Sonata in G minor, Op. 1 No. 10 ‘Didone abbandonata’: Allegro.

  3. One last post: Thank you for this page, might not have learned of Oleh Krysa without it. I like Alina Ibragimova’s version(s) of Beethoven Spring; searched and found an enjoyable YouTube clip of Krysa’s: Beethoven Sonata for Violin and Piano No 10 in G Major, Op 96 II Adagio espressivo.


Leave a Comment