Stephen Sondheim’s Ironic Twist on the Romantic Ballad

In celebration of Valentine’s Day, let’s consider the “romantic ballad.”

Surely, one of the most majestic and soaring examples of this genre is the song, “If Ever I Would Leave You,” which opens the second act of the 1960 Broadway musical, Camelot.

Alan Jay Lerner’s lyrics befit the heroic and chivalrous Lancelot. The melody, by the Austrian-American composer Frederick Loewe, is expansive and noble. Lerner and Loewe is the team that, four years earlier, created My Fair Lady, the Pygmalion adaptation once described as “the perfect musical.” Loewe’s music provides a direct link to the pre-war Viennese operetta tradition. (The composer’s father starred in the 1906 Berlin production of Franz Lehár’s The Merry Widow)Camelot, associated in hindsight with the fleeting romanticism of the John F. Kennedy administration, came in the twilight of Broadway’s so-called “Golden Age.”

Here is Robert Goulet’s performance on the original Broadway cast album:

If any song provides an ironic rebuttal to the soaring Romanticism of “If Ever I Would Leave You,” it would be Stephen Sondheim’s similarly titled, “Could I Leave You?” In Sondheim’s 1971 musical, Follies, this list song is Phyllis’ bitter statement on her apathetic marriage. Set to a lilting waltz, “Could I Leave You?” is both humorous and sardonic.

Here is Donna Murphy’s performance at a Lincoln Center concert commemorating Sondheim’s 80th birthday in 2010:

Recordings

  • Lerner and Loewe: “If Ever I Would Leave You,” Camelot (Original Broadway Cast Album), Robert Goulet Amazon
  • Sondheim: “Could I Leave You?” Donna Murphy, Sondheim-The Birthday Concert Amazon

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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