Ravel’s “Menuet sur le nom d’Haydn”: An Homage in Code

In 1909, the Revue musicale mensuelle de la Société Internationale de Musique commissioned six French composers to write pieces in commemoration of the centenary of the death of Franz Joseph Haydn. Ravel’s 54-bar-long minuet is built on a five-note motif outlining Haydn’s name.

The French system for musical cryptograms involves the entire alphabet, with H-N, O-U, and V-Z in lines under the original diatonic notes A-G. In Ravel’s score, H is represented by B natural, A and D are represented by their respective pitches, Y becomes D natural, and N becomes G natural. We hear these pitches in the rising motif in the top voice in the opening of the piece.

Menuet sur le nom d’Haydn is a dreamy exploration of the motif. With the sudden return of the opening theme, the adventurous journey of the middle section is cut short, and we return home.

Korean pianist Seong-Jin Cho marks the 150th anniversary of Ravel’s birth, celebrated throughout 2025, with an album featuring the composer’s complete solo piano works and concerti.

Recordings

Featured Image: “Autumn Effect at Argenteuil” (1873), Claude Monet

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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