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Bach’s Fantasia and Fugue in G Minor, BWV 542: A Dark and Tempestuous Adventure

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In 1720, J.S. Bach applied for the post of music director at St Jacob’s Church in Hamburg. As part of the audition, Bach performed an organ recital lasting more than two hours. In the end, establishment politics prevented Bach from winning the job, but the level of his playing left the audience stunned. After hearing Bach’s improvisations, the 97-year-old Dutch organist, Johann Adam Reinken, said, “I thought this skill had died out, …

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Schubert’s Piano Sonata No. 18 in G Major, D. 894: Paul Lewis in Concert

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The music of Franz Schubert inhabits a unique and magical world, distinct from any other composer. While Beethoven often grabs us roughly by the collar and throws us onto an exhilarating and ferocious musical rollercoaster ride, Schubert gives us a radically different experience. He invites us into a quiet, sensuous space filled with crystalline melodies, conversing voices, and moments of deep mysticism. Sudden, effortless harmonic shifts and modulations open up new, unexpected dramatic vistas. …

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Rachmaninov’s Suite No. 1 “Fantaisie-tableaux”: Vivid Musical Pictures

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Sergei Rachmaninov’s Fantaisie Tableaux for two pianos, better known as Suite No. 1, Op. 5, was conceived as “a series of musical pictures.” The piece is made up of four vivid and magical soundscapes, each loosely inspired by a poem. It’s music of the young Rachmaninov, written in the summer of 1893, a year after his graduation from the Moscow Conservatory. The score was dedicated to Tchaikovsky, who offered the young composer support. Following …

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Chopin’s Berceuse and the Music of Bill Evans

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Listen to Frédéric Chopin’s D-flat major Berceuse, Op. 57, completed in 1844, and you might get the uncanny feeling that you’re hearing a jazz improvisation. As its title suggests, on one level, Chopin’s masterwork is a dreamy, gently rocking lullaby. Until the final cadence, it’s built on a sublime harmonic oscillation made up of just two chords. It begins with a serene melody which seems to anticipate the Gymnopédies of Erik Satie, published …

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Tchaikovsky’s “Un poco di Chopin”: A Mysterious Homage

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Pyotr Ilyich Tchaikovsky seems to have had a strangely conflicted opinion of the music of Frédéric Chopin. There are accounts of the young Tchaikovsky, nine at the time of the great Polish composer’s death in 1849, giving a spectacular performance of two Chopin mazurkas as a child. In the 1860s, Nikolay Kashkin observed that Tchaikovsky “did not particularly like Chopin, as he found in him a certain sickliness of expression, as well as …

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J.S. Bach and the Joy of G Major

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Throughout the music of J.S. Bach, G major seems to be associated with a distinct sense of joy and deep-rooted contentment. For example, consider the Fantasia in G Major for Organ, BWV 572, which opens in the instrument’s highest and most sparkling register with figures that skip along with an infectious, playful exuberance. This amazing piece, which we explored in a previous post, proceeds on into a massive five-voice chorale which concludes with a mighty …

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Remembering Peter Serkin: Five Essential Recordings

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The American pianist Peter Serkin passed away on Saturday after a battle with pancreatic cancer. He was 72. Serkin was part of a distinguished musical lineage. His father was Rudolf Serkin, the legendary Bohemian-born American pianist and director of the Curtis Institute of Music. His maternal grandfather was the German violinist and conductor, Adolf Busch. As if to throw off the burden of this heritage, Serkin was something of a musical maverick. Following …

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