Clara Schumann at 200

Composing gives me great pleasure. There is nothing which surpasses the joy of creation, if only because through it one wins hours of self-forgetfulness, when one lives in a world of sound. – Clara Schumann (a diary entry from June, 1853) Today is the 200th anniversary of the birth of Clara Schumann (1819-1896). This week, we have explored Clara’s influence on the music of her husband, Robert Schumann, and close friend, Johannes …

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Schumann and Brahms: Musical Depictions of Clara

This Friday marks the two hundredth anniversary of the birth of Clara Schumann (1819-1896). Clara Wieck Schumann looms large in music history. With a concert career spanning 61 years, she was one of the greatest pianists of the Romantic period. She is credited with elevating the repertoire of the piano recital, replacing bravura showpieces with substantial, mature works. She was an influential teacher at Frankfurt’s Hoch Conservatory. As a composer, she contributed piano …

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Bach’s Prelude and Fugue in B-flat Minor, BWV 867, Kris Verhelst

It’s time to return to the Netherlands Bach Society for another recently released performance. Every Friday the organization adds a new high quality video recording to its website as part of its All of Bach initiative. The project will conclude with a complete catalogue of J.S. Bach’s works in time for the Netherlands Bach Society’s centenary in 2022. Here, the Belgian harpsichordist Kris Verhelst performs Bach’s Prelude and Fugue No. 22 in B-flat minor, …

Read moreBach’s Prelude and Fugue in B-flat Minor, BWV 867, Kris Verhelst

Bach’s Prelude and Fugue in F Minor, BWV 857, Pieter Dirksen

Every Friday the Netherlands Bach Society adds a new high quality video recording to its website as part of its All of Bach initiative. Their goal is to perform all of J.S. Bach’s works in the run-up to the organization’s centenary in 2022. One of the recent additions to their Youtube channel is harpsichordist and musicologist Pieter Dirksen’s performance of Bach’s Prelude and Fugue in F minor, BWV 857. This is the twelfth …

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Jeffrey Kahane’s Improvisation on “American the Beautiful”

Jeffrey Kahane’s improvisation on Samuel A. Ward’s “American the Beautiful” moves beyond fervent, flag-waving patriotism into something more sombre, introspective, and quietly majestic. As a solo pianist, Kahane turns to this soulful impromptu as a frequent encore. You may also know Jeffrey Kahane as a conductor. He served as music director of the Los Angeles Chamber Orchestra for twenty years and the Colorado Symphony Orchestra from 2005 to 2010. His son, Gabriel Kahane is a …

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Bach’s Fantasia in G Major, BWV 572: The Power of the Pedal Tone

In his discussion of the extraordinary and haunting pedal tone at the end of the first movement of Bruckner’s Seventh Symphony, the composer and commentator Richard Atkinson goes back to J.S. Bach’s mighty Fantasia in G Major for Organ, BWV 572. (Atkinson’s YouTube channel is filled with insightful videos which take a fascinating look “under the hood” at a variety of music). Bach’s Fantasia, or Pièce d’Orgue as it is sometimes called, offers a …

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Debussy’s “The Girl with the Flaxen Hair,” Krystian Zimerman

La fille aux cheveux de lin (“The Girl with the Flaxen Hair”) is the eighth piece in Book I of Claude Debussy’s solo piano Préludes, written around 1910. The title was inspired by an 1852 poem by Leconte de Lisle. A single, meandering line pulls us into the ephemeral, dreamlike world this music inhabits. Listen to the way the harmony, built largely on the floating, static pentatonic scale, shifts around this melody in unexpected ways. Listening …

Read moreDebussy’s “The Girl with the Flaxen Hair,” Krystian Zimerman

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