Britten’s “Lachrymae”: Reflections on a Song by John Dowland

Benjamin Britten said,

I couldn’t be alone. I couldn’t work alone. I can only work really because of the tradition that I am conscious of behind me… I feel as close to Dowland as I do to my youngest contemporary.

Fragments of the songs of English Renaissance composer John Dowland emerge and dissipate as fleeting ghosts in Britten’s Lachrymae, Op. 48. Subtitled “Reflections on a Song by John Dowland,” the work unfolds as a series of variations on Dowland’s lute song, If My Complaints Could Passions Move, published in 1597. Only at the end does the full melody come into focus, delivering a resolution of peace and catharsis.

In the sixth variation, another Dowland song, Flow my tears, emerges. Perhaps it is this intrusion that gives the work its title, Lachrymae, which translates as “tears” or “weeping.” Additionally, Dowland wrote a viol consort piece of the same title in the 1590s.

Composed in April of 1950, Lachrymae was originally scored for viola and piano. During a trip to the United States, Britten promised the violist William Primrose that he would write a piece for him, partly to persuade the noted musician to appear at the Aldeburgh Festival. According to the story, months later Britten was hard at work on his opera, Billy Budd, when Primrose contacted him for the score. Britten composed it in a single night. 25 years later, a few months before his death in 1976, the composer arranged the work for viola and string orchestra.

Benjamin Britten learned to play the viola as a child. A mellow voice in the midrange, it becomes a soulful protagonist, moving through haunting spaces, and culminating with an impassioned ascent into the highest register in the final variation.

Dowland: If My Complaints Could Passions Move

Here is the song in its original form:

Recordings

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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