Poulenc’s Sextet: An Homage to Wind Instruments

The critic Claude Rostand famously observed, “In Poulenc there is something of the monk and something of the rascal.” We hear this in Francis Poulenc’s Sextet for Piano and Winds, composed between 1931 and 1932, and revised in 1939. Scored for piano, flute, oboe, clarinet, bassoon, and French horn, it is music filled with impish humor. At times, its comic voices, with their distinct personas, take on a satirical tone. As the …

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Beethoven’s Piano Trio in B-flat Major, Op. 11, “Gassenhauer”: A Clarinet and a Catchy Tune

Composed in 1797, the Trio in B-flat Major, Op. 11 is spirited, fun-loving music of the 26 year old Beethoven. It is scored for clarinet, cello, and piano. At the time, the still-emerging clarinet was a novelty. Beethoven was impressed with the sound of Viennese clarinetist Franz Josef Bähr (1770-1819). The Trio was written for Bähr, and dedicated to Countess Wilhelmine von Thun, a prominent patron of both Beethoven and Mozart. With …

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Saint-Saëns’ Fantaisie for Violin and Harp: Sunny and Exotic

Camille Saint-Saëns’ Fantaisie for Violin and Harp, Op. 124 is filled with charm, virtuosity, and dreamy exoticism. The 72-year-old Saint-Saëns was vacationing in the city of Bridger in the Italian Riviera when, in 1907, he composed this sparkling miniature. He dedicated the work to a musical duo made up of two sisters, harpist Clara Eissler and violinist Marianne Eissler. Set in a single brief movement and bathed in Italian sunshine, the music …

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Prokofiev’s String Quartet No. 1 in B Minor: Classical Foundations

The impetus for Sergei Prokofiev’s First String Quartet came from America. In 1930, Prokofiev received the commission from the Elizabeth Sprague Coolidge Foundation of the Library of Congress. The Brosa Quartet premiered the work in Washington, D.C. on April 25, 1931. At the time, Prokofiev lived in exile in Paris, having fled his native land shortly after the 1917 Russian Revolution. In 1936, he would return home, telling friends, “I must see …

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Prokofiev’s Overture on Hebrew Themes: Klezmer Conversations

When the February Revolution of 1917 broke out in Petrograd, Sergei Prokofiev resettled in the United States, stating that his native Russia “had no use for music at the moment.” Soon after arriving in New York, the 28-year-old Prokofiev received a commission from Zimro, a touring Soviet ensemble made up of Russian Jewish immigrants. The new sextet was to be based on themes from a notebook of Jewish folksongs. In his autobiography, …

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Ingram Marshall’s “Wanderer’s Night Song”: Hymnodic Twilight Meditations

“The all too familiar hymns of my childhood have come back to haunt me,” wrote American composer Ingram Marshall (1942-2022) above the program note for his 1992 work for string quartet, Evensongs. Marshall went on to describe the six sections of Evensongs as “hymnodic meditations” concerning twilight. The concluding section, Fast falls the eventide: Wanderer’s Night Song is haunting and atmospheric. Frequently, Marshall blended elements of minimalism and electronic music (listen to the 1982 Fog …

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Poulenc’s Violin Sonata: A Wartime Elegy

Francis Poulenc’s Violin Sonata is music born out of war and tragedy. It is one of a series of defiant, politically charged works Poulenc composed between 1942 and 1943 while remaining in occupied France.* The Sonata was dedicated to the Spanish poet, Federico García Lorca, who was arrested, imprisoned without trial, and executed by Falangist forces during the outbreak of the Spanish Civil War in 1936. Poulenc, who wrote numerous chamber pieces …

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