Romantic Period

Brahms’ String Sextet No. 1, Op. 18: Janine Jansen and Friends

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There is something comforting and nostalgic about the opening of Johannes Brahms’ String Sextet No. 1 in B-flat Major. It begins with an expansive theme in the cello, which seems to draw us in and wrap its arms around us in a warm embrace. In this melody, you can hear the motivic seeds of the similarly warm and majestic theme from the final movement of Brahms’ First Symphony. Completed in 1860, this is music by …

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Chopin’s Berceuse and the Music of Bill Evans

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Listen to Frédéric Chopin’s D-flat major Berceuse, Op. 57, completed in 1844, and you might get the uncanny feeling that you’re hearing a jazz improvisation. As its title suggests, on one level, Chopin’s masterwork is a dreamy, gently rocking lullaby. Until the final cadence, it’s built on a sublime harmonic oscillation made up of just two chords. It begins with a serene melody which seems to anticipate the Gymnopédies of Erik Satie, published …

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Rachmaninov’s Trio élégiaque in D Minor: “To the Memory of a Great Artist”

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Pyotr Ilyich Tchaikovsky died suddenly at the age of 53 on October 25, 1893, nine days after the premiere of the “Pathétique” Symphony. He had been an important ally and mentor to the young Sergei Rachmaninov, helping to get the 20-year-old composer’s first opera, Aleko, performed at the Bolshoi Theatre, and expressing interest in conducting his symphonic poem, The Rock. Rachmaninov began composing the Trio élégiaque No. 2 in D minor after receiving word …

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Tchaikovsky’s “Un poco di Chopin”: A Mysterious Homage

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Pyotr Ilyich Tchaikovsky seems to have had a strangely conflicted opinion of the music of Frédéric Chopin. There are accounts of the young Tchaikovsky, nine at the time of the great Polish composer’s death in 1849, giving a spectacular performance of two Chopin mazurkas as a child. In the 1860s, Nikolay Kashkin observed that Tchaikovsky “did not particularly like Chopin, as he found in him a certain sickliness of expression, as well as …

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Classic Recording: Tchaikovsky’s Piano Trio in A Minor, The Eastman Trio

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Why have you not written a single trio? I regret this every day because every day they play me a trio, and I always sigh because you have not composed a single one. This rueful complaint was addressed to Tchaikovsky in a letter written in the autumn of 1880 by Nadezhda von Meck, the Russian business woman who was one of his most dedicated and long-lasting patrons. (She also gave financial support …

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Remembering Peter Schreier: Three Transcendent Recordings

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The German opera singer and conductor Peter Schreier passed away in Dresden on Christmas Day. He was 84. Schreier will be remembered as one of the twentieth century’s greatest lyric tenors. In addition to appearances at the world’s leading opera houses, he specialized in German Lieder (songs) and other concert repertoire. He drew acclaim for his numerous performances of the Evangelist roles in Bach’s Christmas Oratorio and Passion. A common thread runs through …

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Tchaikovsky’s “The Queen of Spades”: Lise Davidsen at the Met

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Tchaikovsky’s The Queen of Spades is playing at the Metropolitan Opera through December 21. First performed at St. Petersburg’s Mariinsky Theatre in 1890, the three act opera tells a dark story of greed, obsession, and psychological breakdown. It is based on Alexander Pushkin’s novella of the same name. Yet the libretto by the composer’s brother, Modest Tchaikovsky, alters the plot significantly, allowing the gambling addict Hermann to fall in love with Liza before descending into …

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