Contemporary/Twenty-First Century

Michael Torke’s “Chancel” (“Sessions, 3 A.M.”): The Virtue of Simplicity

by

Chancel is the third single to be released from Sessions, 3 A.M, the latest album by the American composer, Michael Torke. The complete recording will be available in November. Recorded last May at the Samurai Hotel Studio in Queens, New York, Sessions, 3 A.M features a collection of fifteen brief and atmospheric pieces for solo piano which are performed by the composer. The excerpts that are currently available suggest the magical, nocturnal vibe of an …

Read more

Gloria Coates’ String Quartet No. 7, “Angels”: Mystical Spaces in Sound

by

Gloria Coates, a prolific American composer who in 1969 relocated to Munich, passed away last week. She was 89. Coates’ works include 16 symphonies, 11 string quartets, and numerous songs. Additionally, she was active as an abstract expressionist painter, creating art which appeared frequently on her album covers. The music critic, Mark Swed, wrote, “Coates is a master of microtones, of taking a listener to aural places you never knew could exist …

Read more

Michael Torke’s “Nave”: A Preview of “Sessions, 3 A.M.”

by

The atmospherically titled Sessions, 3 A.M. is the most recent project of American composer, Michael Torke. It is a collection of fifteen pieces for solo piano, performed by the composer. The first track, Nave, was released as a single earlier this month, and the full album will be available in November. In the nave of a cathedral, repeating structural columns rise to a vaulted ceiling and convey a sense of order and symmetry. …

Read more

James MacMillan’s Larghetto for Orchestra: Chorale and Plainchant

by

In his “constant, restless search for new avenues of expression,” the eminent Scottish composer, Sir James MacMillan (b. 1959), embraces tradition. MacMillan, whose catalogue includes five symphonies, six operas, a handful of concerti, and numerous sacred choral works, cites Scottish folk music and “the timeless truths of Roman Catholicism” among his influences. His Larghetto for Orchestra transforms the orchestra into a series of choirs, with echoes of ancient plainchant and contemplative liturgical …

Read more

Jaakko Kuusisto’s Violin Concerto: Elina Vähälä, Lahti Symphony Orchestra

by

Jaakko Kuusisto (1974-2022) was one of Finland’s most versatile musicians. As a violinist, he studied at Indiana University with Miriam Fried, made numerous recordings, and, in the 1990s, was a top prizewinner at the Sibelius and Nielsen competitions. After serving as concertmaster of the Lahti Symphony Orchestra, Kuusisto became active as a conductor. Perhaps he made his most enduring mark as a composer of approximately 40 pieces, which include operas, film scores, …

Read more

Haydn’s Symphony No. 60 in C Major, “Il Distratto”: Music for the Comic Stage

by

Franz Joseph Haydn’s Symphony No. 60 in C Major, Il Distratto, (“The Absent-Minded Gentleman”) has been called “the funniest piece of symphonic music ever written.” (Kenneth Woods) The six-movement Symphony was conceived originally as incidental music for a 1774 German-language adaptation of Le Distrait, a farcical comedy by the French playwright, Jean François Regnard. The play centers around the buffoonish misadventures of a man who is so absent-minded that he nearly forgets …

Read more

Thomas Adès’ “Polaris,” Voyage for Orchestra: Music of Sea and Sky

by

Polaris, a tone poem written in 2010 by the British composer Thomas Adès (b. 1971) evokes the vastness and majesty of the sea and the sky. A shifting kaleidoscope of color, it is music in which elemental forces are in play. Subtitled, “Voyage for Orchestra,” Polaris can give you the cinematic sensation of drifting over a gradually shifting landscape. The title is a reference to Polaris, the North Star, long a navigational tool for …

Read more