Sometimes great creative ideas flow from constraints. J.S. Bach (1685-1750) wrote six unaccompanied cello suites and six solo sonatas and partitas for violin. This music delivers seemingly limitless musical expression with the simplest and most economic means. Bach’s ability to create complex and inventive counterpoint and harmony using a single solo instrument is amazing. The suites are a collection of Baroque dances which were popular in Bach’s time. Gavottes, bourrées, allemandes and courantes are now long forgotten dance forms, but the music remains timeless.
Here is Yo-Yo Ma playing all six cello suites:
[typography font=”Cantarell” size=”28″ size_format=”px”]Bourrées from Suite No. 3[/typography]
Dr. Suzuki included violin and viola transcriptions of these Bourrées in Book 3. You can read about the history of the bourrée here. Here is Rostropovich playing the original version for cello. Consider how the second bourrée (starting around 1:57) contrasts in character with the first: