Winter Chill in Purcell’s "The Fairy-Queen"

This week we’ve explored musical depictions of winter, from Samuel Barber’s Christmas-themed Twelfth Night to Tchaikovsky’s youthfully inventive First Symphony.

Perhaps no music captures the desolate gloom of winter more vividly than Now Winter Comes Slowly from the fourth act of English composer Henry Purcell’s 1692 opera, The Fairy-Queen. In this case, the term “opera” should be applied loosely. The Fairy-Queen, an anonymous adaptation of Shakespeare’s A Midsummer Night’s Dream, still has one foot firmly planted in the world of masque and “Restoration spectacle,” the freer-formed courtly entertainment out of which formal opera grew. Composed three years before Purcell’s death at the age of 35, The Fairy-Queen was first performed in May, 1692 at London’s Queen’s Theatre, Dorset Garden. Then it fell into obscurity until the twentieth century.

Now Winter Comes Slowly is built on a bleak descending bass line. An icy chill pervades the music from its solitary opening strand:

Sting included Now Winter Comes Slowly on his 2009 album, If on a Winter’s Night. (Listen to the entire album here). Listen to the way Purcell’s late seventeenth century music transfers to this glistening, ethereal, and mildly electronic twenty-first century sound world:

Thus sometimes hath the brightest day a cloud;
And after summer evermore succeeds
Barren winter, with his wrathful nipping cold:
So cares and joys abound, as seasons fleet.

-William Shakespeare, Henry VI, Part II

  • Find John Eliot Gardiner’s recording of The Fairy-Queen at iTunes, Amazon.
  • Find Sting’s album, If on a Winter’s Night at iTunes, Amazon.

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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