Handel’s “Stille Amare”: The “Poison” Aria from “Tolomeo”

Handel’s opera, Tolomeo, HWV 25, was first performed at the King’s Theatre in London on April 30, 1728, and featured a spectacular and renowned cast, which the composer imported from Italy. Set in 108 BC, its plot is ripe for high drama: The story of Tolomeo is set in Ancient Egypt and follows Tolomeo, the son of a deposed king, who is forced to marry Seleuce, who is already married to his …

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Handel’s “Esther,” “Tune Your Harps”: Cheerful Pizzicato Strains

Handel’s 1732 oratorio, Esther, tells the story of a Jewish orphan who becomes Queen of Persia. When the villainous Haman becomes enraged by a personal slight and, in retaliation, orders the extermination of all Jews throughout the Persian Empire, Esther saves her people from massacre. The work originated in 1718 as a semi-staged masque, performed for the Duke of Chandos, who employed Handel as resident composer for two years. Later, Handel expanded it …

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Remembering Steve Davislim

Steve Davislim, the renowned operatic tenor, passed away “after a prolonged illness” last Sunday, August 11. He was 57. Born in Malaysia to a Chinese father and Irish mother, Davislim moved with his family to Australia shortly after birth. In later years, he settled in Vienna, Austria. In a statement, Davislim’s manager wrote, Steve was a man of great humanity and keen intellect who possessed a voice of rare beauty and facility. …

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Mussorgsky’s “Boris Godunov”: Two Recordings of Pimen’s Monologue

In the haunting opening measures of Dmitri Shostakovich’s Ninth String Quartet, an undulating line, emerging first in the second violin and then sliding stealthily into other inner voices, snakes forward, as if to draw us into an unfolding musical narrative. The line which wanders into Shostakovich’s String Quartet of 1964 is the same undulating figure we hear throughout Pimen’s Monologue, which opens the first act of Modest Mussorgsky’s opera, Boris Godunov, composed between …

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Mozart’s “The Marriage of Figaro” Overture: A Wild and Exhilarating Ride

Mozart’s 1786 comic opera in four acts, The Marriage of Figaro, K. 492, is filled with trickery, deception, overheard conversations, cunning disguises, and crazy schemes. Unfolding over the course of a single “day of madness,” it tells the story of two servants, Figaro and Susanna, who succeed in getting married despite the efforts of their lecherous employer, Count Almaviva. The play by Pierre Beaumarchais, on which the opera was based, faced censorship because …

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Gershwin’s “Catfish Row”: A Symphonic Suite on “Porgy and Bess”

Set in the Catfish Row tenement of sultry 1920s Charleston, George Gershwin’s opera, Porgy and Bess, tells the story of a tumultuous love triangle poised between darkness and redemption. Abandoned by her violent, drug-dealing lover, Crown, Bess turns to the caring, disabled beggar, Porgy, for support. Their newfound happiness is cut short when Crown abruptly returns. The stormy human drama is underscored by an approaching hurricane. Vowing to protect Bess, Porgy kills Crown …

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Borodin’s “Polovtsian Dances” from “Prince Igor”: A Spirited Performance by Russian Youth

Alexander Borodin’s four-act opera, Prince Igor, is based on the medieval Russian nationalistic epic, The Tale of Igor’s Campaign. It tells the story of a 12th century military campaign, launched by the Prince of Novgorod-Seversk against the Polovtsians, an invading nomadic Tartar tribe. Quickly, the campaign takes a disastrous turn, and Igor and his son, Vladimir, are taken prisoner. In the opera’s second act, the Polovtsian leader, Khan Konchak, entertains his captives …

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