Michael Gordon: Trance No. 4
On Wednesday, we considered the way three minimalist works bend, stretch, and augment our perception of speed and time. Now, let’s listen to one more gradually unfolding piece of musical minimalism- an excerpt from American composer Michael Gordon’s 1995 Trance. A single melodic line, played by a number of antiphonal voices, begins to break into twos and threes giving us a sense of sonic “blur.” I love the brash, defiant rock-inspired soundscape of …