Handel’s “Ode for St. Cecilia’s Day”: “From Harmony, from Heavenly Harmony”

Sunday marks Saint Cecilia’s Feast Day on the Roman Catholic calendar. Saint Cecilia, one of the most famous martyrs of the early church, is the patron of music and musicians. Her spirit is celebrated in George Frederich Handel’s cantata, Ode for St. Cecilia’s Day, which was first performed on November 22, 1739 at London’s Theatre in Lincoln’s Inn Fields. The cantata’s text is a setting of a 1687 poem by John Dryden based on the Pythagorean theory of harmonia mundi, linking the movement and origin of the celestial bodies to music.

The cantata’s opening chorus, From harmony, from heavenly harmony, is a bright and joyful celebration of the power of music. Handel’s musical lines gush out as an eternal, abundant, and unstoppable force—a Power so fundamental that it can never be muzzled or controlled. Appropriately, the opening words, “From harmony…” are wrapped in the most sensuous and majestic harmonic voicing imaginable.

This performance by the Bach Choir of Bethlehem is from an album released in 2018. The internationally renowned ensemble is the oldest American Bach Choir, with roots that go back “to Colonial times and to the Moravians who settled Bethlehem in 1712.” The choir was officially founded in 1898 in Bethlehem, Pennsylvania. Bethlehem Steel began operations a year later.

From harmony, from Heav’nly harmony
               This universal frame began.
       When Nature underneath a heap
               Of jarring atoms lay,
       And could not heave her head,
The tuneful voice was heard from high,
               Arise ye more than dead.
Then cold, and hot, and moist, and dry,
       In order to their stations leap,
               And music’s pow’r obey.
From harmony, from Heav’nly harmony
               This universal frame began:
               From harmony to harmony
Through all the compass of the notes it ran,
       The diapason closing full in man.
– the opening lines of “A Song for Saint Cecilia’s Day” (1687) by John Dryden


  • Handel: Ode for St. Cecilia’s Day, HWV 76, Greg Funfgeld, The Bach Choir of Bethlehem, Bach Festival Orchestra Bach.org
  • Handel: Ode for St. Cecilia’s Day, HWV 76, Trevor Pinnock, The English Concert and Choir (complete cantata)

Featured Image: “Saint Cecilia” by Jacques Blanchard (17th century oil on canvas)

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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