Korngold’s “The Sea Hawk”: Excerpts from the Film Score

With the music of Erich Wolfgang Korngold (1897-1957), Viennese Romanticism faded into a rich, shimmering twilight.

As a child prodigy, Korngold attracted the attention of Gustav Mahler (who declared him a “musical genius”) and of Richard Strauss. Der Schneemann (“The Snowman”), a ballet Korngold composed at the age of 11, became a sensation when it was performed by the Vienna Court Opera in 1910. Later, came the 1920 opera, Die tote Stadt (“The Dead City”). Yet, Korngold’s trajectory as a composer was altered dramatically by the rise of the Nazis and the Second World War. In 1934, he emigrated to the United States and settled in Hollywood where he joined other Austrian Jewish expatriates such as Max Steiner. Korngold is now remembered as one of the most prominent film composers of Hollywood’s “Golden Age.”

Korngold’s soaring, symphonic score for the 1940 Warner Brothers adventure film, The Sea Hawk, is filled with echoes of the tone poems of Richard Strauss. The film stars Errol Flynn, who plays a swashbuckling maritime privateer in service of Queen Elizabeth I on the eve of the launch of the Spanish Armada. The film delivered stirring, pro-British propaganda to the American public one year into the Second World War.

The Sea Hawk was one of Korngold’s longest and most extensive film scores. Music accompanies all but twenty minutes of its two hour and six minute running time. The music which accompanies the duel near the end of the film was called a “tour de force of rhythmic energy and exactitude” (Rudy Behlmer) and “breathlessly fast-paced music [which] helps to make this one of the most exciting sword fights in cinema history.” (Laurence MacDonald).

Majestic fanfares open the Main Title, which we hear in this spectacular 1972 recording by RCA Records producer and conductor Charles Gerhardt and his National Philharmonic Orchestra. In the soaring love theme which follows, leaping lines in the flutes anticipate similar passages in the film scores of John Williams. (The Flying Theme from the 1982 science fiction film E.T. is a prominent example). Korngold’s score for the 1942 film, Kings Rowseems to have provided the direct inspiration for Williams’ Star Wars and Superman themes.

In this thrilling excerpt, we hear the extent to which the opulent sounds of prewar Vienna set the stage for Hollywood’s “Golden Age.”


Featured Image: a poster for the 1940 film, “The Sea Hawk” 

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

1 thought on “Korngold’s “The Sea Hawk”: Excerpts from the Film Score”

  1. Dear Mr Judd

    Thank you for this tribute to Korngold & for showcasing The Sea Hawk.

    I am Korngold’s biographer & President of the Korngold Society.

    May I please correct one small point: Korngold did not emigrate to the USA, in 1934 or indeed later. He divided his time between Vienna & Hollywood from 1934 until 1938, when, back in Hollywood scoring ‘The Adventures of Robin Hood’, he was trapped because the Nazis had annexed Austria, his homeland, and being Jewish he was unable to return. He never had any intention of emigrating – it was Hitler who exiled him.

    Best wishes


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