Korngold’s Five Songs, Op. 38: From Film Music to Lied

Erich Wolfgang Korngold was one of the twentieth century’s great composers of melody. We hear this in the dramatic music of Korngold’s 1920 opera, Die tote Stadt (“The Dead City), as well as in the soaring Hollywood film scores which followed. Additionally, Korngold was a clever musical recycler. Rich melodies, which were scattered throughout the film scores, formed the basis of Korngold’s 5 Lieder, Op. 38, completed in 1947. The first song, Glückwunsch …

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Korngold’s “The Sea Hawk”: Excerpts from the Film Score

With the music of Erich Wolfgang Korngold (1897-1957), Viennese Romanticism faded into a rich, shimmering twilight. As a child prodigy, Korngold attracted the attention of Gustav Mahler (who declared him a “musical genius”) and of Richard Strauss. Der Schneemann (“The Snowman”), a ballet Korngold composed at the age of 11, became a sensation when it was performed by the Vienna Court Opera in 1910. Later, came the 1920 opera, Die tote Stadt …

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1941 Recording: Korngold’s “Much Ado About Nothing,” Toscha Seidel

In 1918, the 21-year-old Erich Wolfgang Korngold received a commission to write incidental music for a Vienna production of Shakespeare’s comedy, Much Ado About Nothing. Wartime restrictions, along with the intimacy of the theater, with its small orchestra pit, necessitated that the work be scored for a chamber ensemble. As Brendan Carrol writes in a recent article, the project went through a series of incarnations. When the original theater company went bankrupt, the …

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Three Excerpts from “Das Wunder der Heliane,” Korngold’s Glorious Flop

When it came to the fickle whims of public taste, Erich Wolfgang Korngold may have been a composer who was born twenty years too late. At a time when Stravinsky had already created a riot with his primordial The Rite of Spring and Schoenberg’s Second Viennese School was exploring brave new twelve-tone frontiers, Korngold’s early music hovers in the warm afterglow of Romanticism. It is music of vibrant autumn colors, hinting at the poignant nostalgia …

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Korngold’s String Sextet: Basking in Romanticism’s Vibrant Twilight

Erich Wolfgang Korngold (1897-1957) was one of music history’s greatest prodigies, along the lines of the young Mozart and Mendelssohn. When he was 10, Mahler declared him to be a genius, and by age 13 his music was performed at the Vienna Court Opera. His 1920 opera, Die tote Stadt (“The Dead City”), was performed extensively throughout the world, reaching more than 80 stages. Then, with the rise of the Nazis, Korngold was …

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