Rimsky-Korsakov’s “Scheherazade”: Entering the Realm of the Imaginal

Nikolai Rimsky-Korsakov’s 1888 symphonic suite, Scheherazade, inhabits the realm of the imaginal. As its vivid “characters” spring to life, we encounter the magic and fantasy of a story within a story. Painted with a shimmering color palette, the four-movement suite was conceived by one of music history’s most innovative masters of orchestration. Rimsky-Korsakov touched on the dreamy, exotic nature of this music when he described Scheherazade as “a kaleidoscope of fairy-tale images and designs of Oriental character.” …

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Haydn’s Symphony No. 8, “Le Soir”: Brilliant Virtuosity and Good Humor

Haydn’s Symphony No. 8, “Le Soir,” concludes a symphonic triptych (Nos. 6-8) which was inspired by the movement of the sun throughout the day. The first two works in this programmatic series are “Le Matin” (Morning) and “Le Midi” (Afternoon). The three symphonies were first performed during a single evening in 1761 at the Esterházy Palace in Vienna, not at the aristocratic family’s official residence 30 miles outside the city. They marked the beginning …

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