Month: February 2024

Handel’s “Music for the Royal Fireworks”: A Festive Celebration

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On the afternoon of April 21, 1749, an estimated twelve thousand people, each paying two shillings and six pence, descended on London’s Vauxhall Gardens to take in an open-air rehearsal of Handel’s Music for the Royal Fireworks. The ensuing traffic jam resulted in a three-hour backup of carriages across London Bridge, and incidences of road rage. Handel was commissioned to write the festive five-movement suite for a lavish public celebration which occurred a week …

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Handel’s “Eternal Source Of Light Divine”: Marie-Sophie Pollak and Concerto München

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Eternal Source of Light Divine forms the majestic opening statement of Handel’s secular cantata, Ode for the Birthday of Queen Anne, HWV 74. The aria is a kind of ceremonial call to order. The angelic vocal line is echoed by the trumpet, which seems to emerge from timeless, celestial expanses. Occasionally, the two voices weave together in near canonic counterpoint. Handel composed this music in January of 1713. It was intended to celebrate …

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Debussy’s “Danseuses de Delphes”: Homage to Ancient Caryatids

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In 1894, a team of French archeologists discovered the toppled ruins of elaborate caryatids which adorned the Acanthus Column near the Temple of Apollo in the Ancient Greek city of Delphi. As sculptures representing female figures, caryatids form pillars throughout Greek architecture. The graceful, flowing Dancers of Delphi, constructed around 330 BC and now forever free of their structural burden, remain frozen in motion. The first of Claude Debussy’s 24 Préludes for solo …

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Berlioz’ Méditation “Grands Pharaons, Nobles Lagides” from “La Mort de Cléopâtre”: Jessye Norman

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It was only after four unsuccessful attempts that Hector Berlioz won the Prix de Rome. The prestigious prize, awarded by Paris’ Academie des Beaux-Arts and funded by the state, guaranteed five years of financial support for studies in Rome. By the time Berlioz finally took home the prize in 1830, he had already completed the Symphonie fantastique, a piece far more groundbreaking and consequential than his winning entry, the cantata Sardanapale.  Berlioz …

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Bartók’s Dance Suite: Celebrating the Sounds of the Countryside

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For several years, beginning in the summer of 1906, the young Béla Bartók traveled to remote corners of the Hungarian countryside to document age-old folk music with the aid of the phonograph. Eventually, his travels extended to villages in Slovakia, Transylvania, and Bulgaria, and resulted in the transcription of over a thousand folk songs. Throughout the project, Bartók was assisted by his compatriot, Zoltán Kodály. The pentatonic harmony which ran through ancient …

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Gershwin’s “Someone to Watch Over Me”: From Jazzy Scherzo to Ballad

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Among the timeless and unforgettable melodies of George Gershwin is Someone to Watch Over Me. The song was composed in 1926 for the musical, Oh, Kay!, where it was performed by Gertrude Lawrence, who sang it as a lonely, impassioned soliloquy to a rag doll. Although the lyrics were written primarily by Ira Gershwin, Howard Dietz assisted while the former was hospitalized for six weeks as a result of a ruptured appendix. …

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Remembering Seiji Ozawa

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Seiji Ozawa, the internationally renowned Japanese conductor, passed away in Tokyo last week (February 6, 2024) as a result of heart failure. He was 88. Ozawa’s 29-year tenure as music director of the Boston Symphony Orchestra began in 1973. Prior to the appointment, he served as music director of the Toronto Symphony Orchestra (1965-1969) and the San Francisco Symphony (1970-1977). In 1984, he founded the Saito Kinen Orchestra in Matsumoto, Japan. In …

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