Schoenberg’s “Transfigured Night”: At the Tonal Precipice
Famously, in the early years of the twentieth century, Arnold Schoenberg plunged over the precipice into the world of atonality. A natural outgrowth of late Romantic chromaticism, the new music gave equality to all twelve notes of the chromatic scale, and abolished the kind of hierarchy that allowed for a tonal center of gravity. Schoenberg adapted the system of Serialism to manipulate the resulting twelve tone rows. Standing at the tonal precipice, …