Vivaldi’s “Nulla in mundo pax sincera”: A Concerto for Voice

Following a traditional four part structure (aria-recitative-aria-Alleluia), Antonio Vivaldi’s sacred motets have been likened to “vocal concertos.”

Composed between 1713 and 1719, Nulla in mundo pax sincera, RV 630 (“In this world there is no honest peace”) was intended for a virtuosic soprano with an exceptionally high range. Vivaldi composed this music while employed as music director at the Ospedale della Pietà in Venice. Supported by the city and private patrons, the orphanage for girls was a cultural jewel. Renowned for the high level of its singers and instrumentalists, “its concerts attracted tourists from throughout Italy and beyond.” (Martin Pearlman)

The anonymous text of Nulla in mundo pax sincera speaks of a true peace found in Jesus amid worldly temptation and deceit. Set in E major, the first aria unfolds with the lilting pastoral dance rhythm of the siciliano. The melodic lines of the soprano float into an angelic upper range while the violins evoke the rustling of leaves in a gentle breeze. The second aria is filled with upward leaping lines which depict the sudden attack of a snake which has been lying in wait amid natures seductive beauty. The final aria (Alleluia) is a sunny and virtuosic tour de force akin to Vivaldi’s violin concerti.

Nulla in mundo pax sincera was included on the soundtrack of Shine, a 1996 biographical film based on the life of pianist David Helfgott.

I. Nulla in mundo pax sincera:

II. Blando colore oculos mundus decepit:

III. Spirat anguis:

IV. Alleluia:

Here is an English translation of the text:

Aria.

In this world there is no honest peace
free from bitterness; pure and true (i.e. peace)
sweet Jesus, lies in Thee.

Amidst punishment and torment
lives the contented soul,
chaste love its only hope.

Recitative.

This world deceives the eye by surface charms,
but corroded hearts with hidden wounds.
Let us flee him who smiles, shun him who follows us,
for by skilfully displaying its pleasures, this world
overwhelms us by deceit.

Aria.

The serpent’s hiss conceals its venom,
as it uncoils itself
among blossoms and beauty.
But with a furtive touch of the lips,
a man maddened by love
will often kiss as if licking honey.

Alleluia.

Recordings

  • Vivaldi: Nulla in mundo pax sincera, RV 630, Grace Davidson, Academy of Ancient Music Amazon

Featured Image: “The Entrance to the Grand Canal, Venice” (1730), Canaletto

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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