Opera

Mussorgsky’s “Boris Godunov”: Two Recordings of Pimen’s Monologue

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In the haunting opening measures of Dmitri Shostakovich’s Ninth String Quartet, an undulating line, emerging first in the second violin and then sliding stealthily into other inner voices, snakes forward, as if to draw us into an unfolding musical narrative. The line which wanders into Shostakovich’s String Quartet of 1964 is the same undulating figure we hear throughout Pimen’s Monologue, which opens the first act of Modest Mussorgsky’s opera, Boris Godunov, composed between …

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Mozart’s “The Marriage of Figaro” Overture: A Wild and Exhilarating Ride

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Mozart’s 1786 comic opera in four acts, The Marriage of Figaro, K. 492, is filled with trickery, deception, overheard conversations, cunning disguises, and crazy schemes. Unfolding over the course of a single “day of madness,” it tells the story of two servants, Figaro and Susanna, who succeed in getting married despite the efforts of their lecherous employer, Count Almaviva. The play by Pierre Beaumarchais, on which the opera was based, faced censorship because …

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Gershwin’s “Catfish Row”: A Symphonic Suite on “Porgy and Bess”

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Set in the Catfish Row tenement of sultry 1920s Charleston, George Gershwin’s opera, Porgy and Bess, tells the story of a tumultuous love triangle poised between darkness and redemption. Abandoned by her violent, drug-dealing lover, Crown, Bess turns to the caring, disabled beggar, Porgy, for support. Their newfound happiness is cut short when Crown abruptly returns. The stormy human drama is underscored by an approaching hurricane. Vowing to protect Bess, Porgy kills Crown …

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Borodin’s “Polovtsian Dances” from “Prince Igor”: A Spirited Performance by Russian Youth

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Alexander Borodin’s four-act opera, Prince Igor, is based on the medieval Russian nationalistic epic, The Tale of Igor’s Campaign. It tells the story of a 12th century military campaign, launched by the Prince of Novgorod-Seversk against the Polovtsians, an invading nomadic Tartar tribe. Quickly, the campaign takes a disastrous turn, and Igor and his son, Vladimir, are taken prisoner. In the opera’s second act, the Polovtsian leader, Khan Konchak, entertains his captives …

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Remembering Jodie Devos

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Jodie Devos, the celebrated Belgian soprano, passed away last Sunday, June 16, as a result of rapidly-progressing breast cancer. She was 35. At the time of her death in Paris, she was surrounded by family. In a social media post, soprano Barbara Hannigan remembered Devos as “a beautiful artist, vibrant and radiant of sound and presence.” In a statement to Belgian news channel VRT, conductor Dirk Brossé said, “We have lost one …

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Strauss’ Four Symphonic Interludes from “Intermezzo”: A Portrait of Matrimony

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In a letter to his wife, Pauline, Richard Strauss listed the three areas which gave his life meaning: “nature, notes, and family.” (Bryan Gilliam) Musically, Strauss celebrated his stable family life with the autobiographical 1904 tone poem, Symphonia Domestica, Op. 53. When the work’s subject matter was criticized as trivial, Strauss responded, What could be more serious than married life? Marriage is the most profound event in life and the spiritual joy …

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Dvořák’s “Rusalka”: Four Key Excerpts

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First performed on March 31, 1901 in Prague, Antonín Dvořák’s enduring fairytale opera in three acts, Rusalka, Op. 114, blends Slavic mythology with the story of Hans Christian Andersen’s The Little Mermaid . Rusalka is a water nymph who falls in love with a human—a Prince who happens one day to swim in her lake. She tells her father, the water goblin, that she wishes to become human to be with the …

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