Twentieth Century

Debussy’s “Feuilles Mortes”: A Desolate Landscape

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Feuilles mortes (“Dead Leaves”) is the second piece in Book II of Claude Debussy’s Préludes for solo piano. Composed in 1913, the music suggests the vivid colors and atmosphere of an impressionistic painting. It evokes a bleak and desolate late autumn landscape—perhaps one in which a frost has already descended. Debussy’s interpretive marking is Lent et mélancolique. Filled with jazzy parallel chords, the music inhabits a haunting dreamscape. Quiet, ghostly ostinatos emerge …

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Britten’s “Hymn to Saint Cecilia”: VOCES8

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Today is Saint Cecilia’s Feast Day on the Roman Catholic calendar. The third century martyr is venerated as the patron of music and musicians. According to legend, despite taking a vow of celibacy, she was forced by her parents to marry a pagan nobleman. She “sang in her heart to the Lord” on her wedding day, illustrating the divine, meditative, and transcendent power of music. Fortuitously, the English composer, Benjamin Britten, was …

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Remembering David Del Tredici

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The American composer, David Del Tredici, passed away on Saturday, November 18, following a battle with Parkinson’s disease. He was 86. Describing his early years as those of “an old child prodigy,” Del Tredici began studying the piano at the age of 12 and was concertizing by 17. He started composing during a summer session at the Aspen Music Festival and School, where he came to the attention of composer-in-residence, Darius Milhaud. …

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Gerald Finzi’s Elegy for Orchestra, “The Fall of the Leaf”: An English Landscape

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Gerald Finzi’s Elegy for Orchestra, Op. 20, The Fall of the Leaf, is music of the English landscape. It evokes the timelessness of serene pastures and meandering hedgerows. Beyond its lush beauty exists a lingering melancholy and nostalgia. Unsettling twilight shadows pervade this music. We encounter something similar in much of the music of Ralph Vaughan Williams, who shared friendship and frequent correspondence with Finzi (1901-1956), and throughout the works of Edward Elgar. …

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Remembering Yuri Temirkanov

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Yuri Temirkanov, the renowned Russian conductor, passed away last Thursday, November 2, in St. Petersburg. He was 84. From the time of his appointment as artistic director in 1988, Temirkanov was credited with restoring the brilliance of the St. Petersburg Philharmonic, in the years following the collapse of the Soviet Union. Between 2000 and 2006, he served as music director of the Baltimore Symphony Orchestra. Additional titles included principal guest conductor of …

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Michael Tippett’s Piano Concerto: Poetic Music Born of Beethoven

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The inspiration for Sir Michael Tippett’s Piano Concerto came in a single moment in 1950. The occasion was a rehearsal of Beethoven’s Fourth Piano Concerto with Walter Gieseking as soloist. Recalling this “precise moment of conception,” the English composer commented, “Under the influence of an exceptionally poetic yet classical performance of the Beethoven movement, I found myself persuaded that a contemporary concerto might be written, in which the piano is used once …

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Henry Cowell’s “The Banshee”: Haunting Sounds From Inside the Piano

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If you listen to Henry Cowell’s The Banshee without the benefit of seeing how the sound is being produced, you might never guess that it is music written for the piano. In fact, it is a piece which requires no piano bench, bypasses the ivories all together, and moves inside the piano to reveal a haunting new sonic landscape. At the time of its completion in 1925, The Banshee, and other works by Cowell, …

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