Twentieth Century

Arvo Pärt’s Credo: The Powers of Order and Chaos

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Arvo Pärt’s Credo, written in 1968, is the music of revolution. It’s an expression of disintegration, collapse, and reawakening. It’s a piece in which the pristine, well established order of modernism’s 12-tone-row and the rational counterpoint of J.S. Bach, give way to a terrifying, chaotic, total breakdown. For a moment we hear raging noise…an anguished sound world unimaginable before the twentieth century. Scored for piano, orchestra and chorus (an instrumentation that mirrors Beethoven’s Choral Fantasy, Op. 80), Credo is …

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A Ravel Snapshot with the Lydian String Quartet

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The Boston-based Lydian String Quartet has a new first violinist. Andrea Segar recently succeeded Daniel Stepner, who served as the Quartet’s first violinist for 29 years. Segar was a student of Donald Weilerstein (former first violinist of the Cleveland Quartet) at New England Conservatory, and Philip Setzer (a founding member of the Emerson String Quartet) and Soovin Kim at SUNY Stony Brook. Last week, the Lydian Quartet posted this informal rehearsal clip featuring the …

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Psalm 90: Charles Ives’ Time-Altering Swan Song

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When you think of Charles Ives (1874-1954), the visionary experimental composer and New England insurance executive who assembled shocking, never-before-imagined sonic collages, what music comes to mind? Probably the enigmatic Unanswered Question. Perhaps the dense, American folk-song-laced orchestral tone poems or the harmonically advanced Concord Sonata. But beyond all of this lies another side of Ives. By the age of 14, he was an organist of immense technical skill. (At 17, Ives described his fiendishly difficult, …

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Jennifer Higdon: Summer Shimmers Across the Glass of Green Ponds

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Here’s the perfect soundtrack for a lazy midsummer afternoon- the kind of music you might hear in a dream if you fell asleep in the backyard under a cool, lush, leafy canopy. Scenes from the Poet’s Dreams, a work for piano quintet written in 1999 by American composer Jennifer Higdon (b. 1962), imagines a series of divergent dreams. The dreamer becomes both a participant and observer, a paradox Higdon likens to the …

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Meet Nikki Chooi, the Met’s New Concertmaster

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Last week, the Metropolitan Opera announced the appointment of a new concertmaster: 27-year-old Canadian violinist Nikki Chooi. Chooi, who grew up in Victoria, British Columbia, began studying the violin at the age of four through the Suzuki method, later attending Curtis and Juilliard. Last season he performed as a member of the innovative, genre-defying string trio, Time for Three. (Here is the group’s cover of Taylor Swift’s Shake it Off). Here’s an excerpt from Chooi’s …

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A Charles Ives Fourth

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Firecrackers, a cannon on the village green, an out-of-step band on Main Street, a fife and drum corps, church bells…All of this, and more, can be heard in Charles Ives’ 1912 tone poem, The Fourth of July, which forms the third movement of the “Holidays” Symphony. Ives imagined the larger-than-life festivities of a small New England town, as experienced by a child. But this music goes far deeper than the quaint Americana of Ives’ …

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Five Musical Fireworks

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It’s ironic that Independence Day in America isn’t complete without Tchaikovsky’s most famous ode to Russian nationalism: the bombastic 1812 Overture, which was written to commemorate the defeat of Napoleon’s invading army. As we head into the July Fourth holiday weekend, here are five more pieces that bring fireworks to mind: Handel: Music for the Royal Fireworks In 1749, England’s King George II employed Handel to write music for a large, outdoor public celebration in …

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