In his Essays Before a Sonata, first published in 1920, Charles Ives reflected on a vivid memory from his Danbury, Connecticut childhood: In the early morning of a Memorial Day, a boy is awakened by martial music—a village band is marching down the street, and as the strains of Reeves’ majestic [Second] Regiment March come nearer and nearer, he seems of a sudden translated—a moment of vivid power comes, a consciousness of …
Firecrackers, a cannon on the village green, an out-of-step band on Main Street, a fife and drum corps, church bells…All of this, and more, can be heard in Charles Ives’ 1912 tone poem, The Fourth of July, which forms the third movement of the “Holidays” Symphony. Ives imagined the larger-than-life festivities of a small New England town, as experienced by a child. But this music goes far deeper than the quaint Americana of Ives’ …
Listen closely to Charles Ives’ Decoration Day and you may hear the lament of the dead.* The piece evokes ghosts of the battlefield and the distant echoes of small town New England observances of Decoration Day, the solemn American holiday of remembrance, started in the aftermath of the Civil War. It’s the holiday we now know as Memorial Day. Decoration Day is the second movement of Ives’ four movement Holidays Symphony, written between 1897 …
In the early decades of the twentieth century, American composer Charles Ives was stretching musical boundaries. Ives created exciting collages of sound by layering fragments of folk songs, hymn tunes and other music, often simultaneously in different keys and tempos. The result was a musical melting pot that was uniquely American and anticipated compositional techniques used later by The Beatles, John Cage and others. Thanksgiving and Forefathers’ Day from Ives’s Holidays Symphony musically evokes memories …