Wagner’s “Siegfried”: “Waldweben” (Forest Murmurs) from Act II

by

In the second act of Wagner’s 1876 opera, Siegfried, we are drawn into the mystery and magic of the forest. Gradually, in the opening moments of the Waldweben (“Forest Murmurs”) sequence, our ears become attuned to the hum of nature. A rustling breeze through the vibrant green canopy forms a backdrop for cheerful birdsongs. Time is suspended, and the inner world of the deep forest becomes a serene and wondrous sanctuary. Jeff Counts includes quotations …

Read more

“Then I’ll Be Tired of You”: Keith Jarrett, John Coltrane, Fats Waller

by

In its original form, Then I’ll Be Tired of You is the quintessential catchy popular song from America’s jazz age. The composer Arthur Schwartz (1900-1984) wrote the song in 1934 with lyricist Yip Harburg. It was first recorded on August 9, 1934 by Freddy Martin and His Orchestra. The same year, the legendary jazz musician “Fats” Waller, exponent of the Harlem stride style of piano playing, made his own recording. Recordings by singers such …

Read more

Mozart’s Requiem in D Minor: Mysterious and Monumental

by

Mystery and intrigue have long surrounded the genesis of Mozart’s Requiem in D minor. In early July of 1791, an “unknown, gray stranger” visited the composer, bearing a commission for a Requiem from an anonymous patron. At the time, Mozart was working tirelessly to complete two operas, The Magic Flute and La clemenza di Tito. By the time he turned his attention to the Requiem the following September, his health was in terminal decline. He …

Read more

Mozart’s “La Clemenza di Tito” Overture: Music for a Coronation

by

During the final year of his life, Mozart was extraordinarily productive. In the months leading up  to his illness, and eventual death on December 5, 1791 at the age of 35, Mozart completed a series of works including the Clarinet Concerto, K. 622, a final String Quartet, K. 614, the motet Ave verum corpus, K. 618, and the operas Così fan tutte and The Magic Flute. The monumental Requiem in D minor remained unfinished until …

Read more

Debussy’s Trois Chansons de Bilitis: Illusions of Antiquity

by

In 1894, the French writer, Pierre Louÿs, published a series of erotic poems titled, Les Chansons de Bilitis. Louÿs, who sought to “express pagan sensuality with stylistic perfection,” attributed the poems to Bilitis, an Ancient Greek woman who was a contemporary of Sappho. In the introduction of the book, Louÿs claimed that he had translated the collection following its discovery on the walls of a tomb in Cypress. In fact, Pierre Louÿs had …

Read more

Beethoven’s First Piano Concerto: An Exuberant and Daring Conception

by

Beethoven was a newcomer to Vienna when, in 1795, he completed the Piano Concerto No. 1 in C Major. It is bold music which was designed to showcase the young composer’s skills as one of the preeminent virtuoso pianists of the time. Although the C major Concerto was the first to be published (in 1801), its composition was preceded by the piece we now know as Piano Concerto No. 2. While the Second Concerto …

Read more

Beethoven’s “The Creatures of Prometheus” Overture: Music for a Ballet

by

In 1800, around the time of the premiere of his First Symphony, the 29-year-old Ludwig van Beethoven received a commission to write music for a ballet based on the Prometheus myth. Beethoven’s collaborator and librettist was the the Italian choreographer and dancer, Salvatore Viganò. Although Viganò usually composed the music for his ballets himself, this occasion was far too important. The Creatures of Prometheus, a “heroic and allegorical ballet” in two acts, would be …

Read more