Remembering Thomas Stacy

Thomas Stacy, who served as the principal English horn player of the New York Philharmonic between 1972 and 2011, passed away on April 30. He was 84. A native of rural Arkansas, Stacy fell in love with the instrument at the age of 14. He was once hailed as “the Heifetz of the English horn.” Leonard Bernstein called him “a poet among craftsmen.” During his tenure with the New York Philharmonic, Stacy …

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Shostakovich’s String Quartet No. 3 in F Major: Haunting Ambiguities

Dmitri Shostakovich composed the String Quartet No. 3 in F Major in 1946 in the immediate aftermath of the Second World War. The previous year, his controversial Ninth Symphony shocked audiences and upset the Soviet authorities. It had not been the epic, monumental “victory” symphony everyone had been expecting. Instead, it was light, classical, seemingly frivolous music. Taken at face value, the Ninth Symphony delivered bright music filled with joie de vivre. …

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Mozart’s Symphony No. 36 in C Major, “Linz”: A Hurriedly Written Masterpiece

In 1783, Mozart traveled to Salzburg with his new bride, Constanze, in an attempt to reconcile with his father, who did not approve of the marriage. On the return trip to Vienna, the couple spent three weeks in the Upper Austrian town of Linz as guests of Count Johann Thun-Hohenstein, an old friend of the Mozart family. In a letter dated October 31, Mozart wrote to his father, When we reached the …

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Vaughan Williams’ “Whither Must I Wander?”: Bryn Terfel

The twentieth century brought a revival of the English art song, which had fallen fallow after the death of Henry Purcell in 1695. (William M. Adams) Central to this revival was Ralph Vaughan Williams, a composer who drew inspiration frequently from England’s distant musical past. First published in the magazine, The Vocalist, in 1902, Whither Must I Wander? became part of Vaughan Williams’ Songs of Travel. The cycle of nine songs, originally written …

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William Walton’s First Symphony: Sensuous and Searing

Sir William Walton’s Symphony No. 1 in B-flat minor begins with a magical coalescing of elements. Voices awaken, and the Symphony springs to life with a sense of suddenness and inevitability. There is a hushed B-flat timpani roll, the warm sonic blur of three successive horn tones (B-flat, F, and G), a pulsating heartbeat in the violins, the plaintive song of the oboe, a response in the bassoon, and darting, descending lines …

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Purcell’s Three Fantasias in Four Parts (Nos. 10-12): Jordi Savall, Hespèrion XX

In the summer of 1680, five years before the birth of J.S. Bach, the twenty-one year old Henry Purcell composed a collection of fifteen Fantasias for the Viols. At the time, viol consort music was falling out of fashion. The Fantasias received little attention and remained unpublished until 1927. Now, these brief and sublime studies in polyphony, scored for between three and seven voices, are considered to be precursors to Bach’s Musical …

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Remembering Ahmad Jamal

Ahmad Jamal, the American jazz pianist, composer, and band leader, passed away on April 16. He was 92. Known for a taut, minimalist style, Jamal broke new ground in modern jazz. Miles Davis once said, “All my inspiration comes from Ahmad Jamal…[He] knocked me out with his concept of space, his lightness of touch, and the way he phrases notes and chords and passages.” Born Frederick Russell Jones in Pittsburgh, Jamal began playing …

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