Mozart’s Symphony No. 27 in G Major: Salzburg Sunshine

Symphony No. 27 in G Major, K. 199 is sunny, youthful music of the 17-year-old Mozart. Completed in April of 1773, it is among a group of four symphonies Mozart wrote after returning home to Salzburg following his second trip to Italy. (His opera, Lucio Silla, was being performed in Milan). Two months later, Mozart and his father would set out for the imperial capital of Vienna. Scored for two flutes, two …

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Brahms’ Second Symphony: Pastoral Sunshine and Shadows

When it came to writing his First Symphony, Johannes Brahms felt the anxiety of influence. The nine symphonies of Beethoven were so transformative that Brahms was haunted by the “footsteps of a giant” marching behind him. The situation was made worse by Robert Schumann’s enthusiastic public prediction that the young Brahms was destined to become “the heir to Beethoven.” He would carry forward the mantle of “absolute” music, as opposed to the …

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Sibelius’ Second Symphony: The Creation of a Divine Mosaic

The famous 1907 meeting between Jean Sibelius and Gustav Mahler in Helsinki revealed two opposing, yet equally compelling, conceptions of the symphony. Mahler insisted that “the symphony must be like the world. It must embrace everything.” In contrast, Sibelius expressed admiration for the symphony’s “style and severity of form, as well as the profound logic creating an inner connection among all of the motives.” On another occasion, Sibelius observed, similarly, Music is, …

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Remembering Yuri Temirkanov

Yuri Temirkanov, the renowned Russian conductor, passed away last Thursday, November 2, in St. Petersburg. He was 84. From the time of his appointment as artistic director in 1988, Temirkanov was credited with restoring the brilliance of the St. Petersburg Philharmonic, in the years following the collapse of the Soviet Union. Between 2000 and 2006, he served as music director of the Baltimore Symphony Orchestra. Additional titles included principal guest conductor of …

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Mahler’s First Symphony: The Titan

Mahler’s Symphony No. 1 in D Major is music rooted in nature and song. It is the work of a 28-year-old composer who was rapidly rising as one of Europe’s premier conductors, and who was coming out of a stormy love affair with Marion von Weber, the wife of the grandson of composer, Carl Maria von Weber. It is music which synthesizes the Romantic influences of Beethoven, Schubert, Berlioz, Liszt, and Bruckner, …

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Schubert’s Third Symphony: Effortless Music from a Miraculous Year

1815 has been called Franz Schubert’s “miracle year.” In those twelve months, while working as a full-time schoolteacher, the 18-year-old composer wrote more than 20,000 bars of music. Among other works, he completed two symphonies (Nos. 2 and 3), two masses, a string quartet, two piano sonatas, and 145 songs (including the famous Erlkönig). Schubert’s biweekly composition lessons with Antonio Salieri during this period remind us that, even for the most intuitive …

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Haydn’s Symphony No. 60 in C Major, “Il Distratto”: Music for the Comic Stage

Franz Joseph Haydn’s Symphony No. 60 in C Major, Il Distratto, (“The Absent-Minded Gentleman”) has been called “the funniest piece of symphonic music ever written.” (Kenneth Woods) The six-movement Symphony was conceived originally as incidental music for a 1774 German-language adaptation of Le Distrait, a farcical comedy by the French playwright, Jean François Regnard. The play centers around the buffoonish misadventures of a man who is so absent-minded that he nearly forgets …

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