Bright Blue Music

As a followup to last Wednesday’s post, here is another exuberant slice of musical postmodernism by American composer Michael Torke (b. 1961). Bright Blue Music (1985) is a celebration of one of the most basic and fundamental building blocks of tonal music: the pull of the V chord (the dominant) back home to I (tonic). Throughout the twentieth century many composers avoided tonal relationships altogether, which makes the opening of Bright Blue Music, with its conventional …

Read more