Arvo Pärt’s “Fratres” in Eight Versions

This one note, or a moment of silence, comforts me. I work with very few elements – with one voice, with two voices. I build with the most primitive materials – with the triad, with one specific tonality. The three notes of a triad are like bells. And that is why I call it tintinnabulation. Tintinnabulation is an area I sometimes wander into when I am searching for answers – in my …

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