Henry Cowell’s “The Banshee”: Haunting Sounds From Inside the Piano

If you listen to Henry Cowell’s The Banshee without the benefit of seeing how the sound is being produced, you might never guess that it is music written for the piano. In fact, it is a piece which requires no piano bench, bypasses the ivories all together, and moves inside the piano to reveal a haunting new sonic landscape. At the time of its completion in 1925, The Banshee, and other works by Cowell, …

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Henry Cowell’s Hymn and Fuguing Tune No. 10: Early American Strains

Among the twentieth century’s boldest and most innovate musical mavericks was the American composer, Henry Cowell (1897-1965). Cowell’s occasionally riot-inducing experiments included tone clusters (approaching the piano keyboard with arms and fists), graphic notation, polytonality, non-Western modes, and “a complex pitch-rhythm system that correlated the mathematical ratios of the pitches of the overtone series with rhythmic proportions.” (Richard Teitelbaum) Cowell treated the piano as a percussion instrument. Through “prepared piano” techniques, and …

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Can You Say Summertime?

The free-spirited Turkish pianist and composer Fazil Say (b. 1970) is an artist who refreshingly resists easy category. As a concert pianist, Say performs all of the standard repertoire with emotional warmth and effortless technique (here he plays Ravel’s Piano Concerto in G). As a composer, he has written symphonies, piano music, which draws on the prepared piano sounds popularized by John Cage and Henry Cowell (listen to the ethereal and sensuous Black …

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