Ives’ “The Housatonic at Stockbridge”: The Eternal River of Time

On a June weekend in 1908, Charles Ives and his wife, Harmony Twichell, vacationed in the rolling Berkshire Hills. A hiking trip led the newly married couple by the Housatonic River near Stockbridge, Massachusetts. Ives recalled, We walked in the meadows along the river, and heard the distant singing from the church across the river. The mist had not entirely left the river bed, and the colors, the running water, the banks …

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Carl Ruggles’ “Toys”: An American Art Song Miniature

Carl Ruggles (1876-1971) was one of the great American maverick composers of the twentieth century. A prickly and eccentric New Englander, he found kinship with such contemporaries as Henry Cowell, Edgard Varèse, and Charles Ives. His musical style, described as “dissonant counterpoint,” reflects the kind of brash and adventurous Yankee individualism we hear in Ives. Ruggles worked painstakingly slowly, sitting at the piano and playing each chord repeatedly to determine if it would …

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“Short Ride in a Fast Machine”: MTT and the San Francisco Symphony

You know how it is when someone asks you to ride in a terrific sports car, and then you wish you hadn’t? This is how John Adams explains the title of his 1986 orchestral fanfare, Short Ride in a Fast Machine. It’s an exhilarating five-minute musical joyride that rests just on the edge of terror. Given its popularity, Short Ride in a Fast Machine must be one of the few pieces written in the last fifty …

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Gershwin and Ravel Share the Blues

Maurice Ravel and George Gershwin came face to face in New York on the evening of March 7, 1928. The occasion was a soirée hosted by the mezzo-soprano Éva Gauthier in celebration of Ravel’s fifty-third birthday. This was Ravel’s first and only trip to the United States. During a four month, twenty city tour which included an appearance at Carnegie Hall, the French composer introduced American audiences to Rapsodie espagnole, the Daphnis et Chloe Suite No. 2, and La valse. He …

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New Release: The San Francisco Symphony’s Debussy Album

Conductor Michael Tilson Thomas and the San Francisco Symphony have just released an exciting new Debussy album. The disk features two orchestral showpieces: the three movement Images pour orchestre (the interior movement, Ibéria, evokes the bright, sunny rhythms of Spain) and the ballet score, Jeux. The sensuous, gypsy-inspired waltz La plus sue lente rounds out the album. The performances were recorded live at Davies Symphony Hall. Jeux (Games), described as a “poème dansé” (“a danced poem”), was Debussy’s last orchestral work. It was written quickly in …

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Remembering Joseph Silverstein

Legendary violinist, conductor, and teacher Joseph Silverstein passed away yesterday in Boston. He was 83. Born in Detroit, the son of a public school music educator, Silverstein studied with Efrem Zimbalist, William Primrose, Josef Gingold, and Mischa Mischakoff. He served as concertmaster of the Boston Symphony for 22 years, beginning in 1962. In 1971 he was appointed assistant conductor of the BSO. He was music director of the Utah Symphony between 1983 …

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Symphonie Fantastique: Berlioz’s Musical Hallucination

Hector Berlioz’s Symphonie fantastique, first heard in 1830, shares some surprising similarities with a teenager’s rock music: It’s shocking, rebellious, and at least partially drug-induced (Berlioz was under the influence of opium). It may have been written to impress a girl (Harriet Smithson, an Irish actress whom Berlioz saw in a production of Hamlet in 1827, leading to an infatuation and ultimately short-lived marriage). It deals with the pain of unrequited love, yet this …

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