Ravel’s Pavane pour une Infante Défunte: A Dreamy Evocation

A stately, processional dance, the pavane was popular in European courts throughout the Renaissance. With dreamy nostalgia, Maurice Ravel’s Pavane pour une infante défunte (“Pavane for a Dead Princess”) evokes visions of these distant times. The brief work was composed in 1899 for solo piano, and orchestrated in 1910. Ravel chose the title because he liked the sound of the words. He insisted, Do not attach any importance to the title. I …

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Louis Lortie Plays Ravel

Last week we listened to Maurice Ravel’s Le Tombeau de Couperin, a piece which originated as a solo piano suite and culminated as a breathtakingly colorful orchestral work. Many of Ravel’s works followed this evolution. His glistening, Impressionistic orchestration even extended to Modest Mussorgsky’s Pictures at an Exhibition, a work also originally for solo piano. Let’s return to Ravel the pianist with a few excerpts from French-Canadian pianist Louis Lortie’s 2003 recording (on the Chandos label), Ravel’s …

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